Yakots

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Introduction.

Yakots isn't a language spoken in some fantastic otherworldly world. It's not Elvish or Klingon, and it's not the language spoken by a vast and powerful empire that exists only in my head. I've never thought of the people who might speak Yakots. Instead, the language was born of its own sake.

Yakots is a bit tricky to get the hang of, because it combines a hella complex vowel inventory with Semitic-style apophonic inflection, a dash of vowel harmony, and something of a Germanic-style umlaut. That makes it sound tricky, but once the system is mastered, the patterns in the system become clear and the language becomes easy and incredibly expressive. The consonants aren't too tricky, and the syllable structure is downright simple. And, if you can get a grasp on your vowels and wield them like a scalpel, hopefully you'll see that I've tried to make Yakots an expressive and beautiful tongue.

Phonology.

Vowels.

Although there are a total of sixteen vowels, there's only eight vowel phonemes. This is because the value for roundedness is determined morphologically according to the binyan (discussed below in Morphology). The "basic" roundedness for a given height and frontness, which is called for in the imperative verb, is shown in boldface.

Vowels of Yakots

	Quality
	Front		Back
Height	Unround	Round		Unround
Close	i	y	u	ɯ
Closed-mid	e	ø	o	ɤ
Open-mid	ɛ	œ	ʌ	ɔ
Open	a	ɶ	ɑ	ɒ

Semi-vowels: w, j, ɥ.

Consonants.

In comparison to the complex system of vowels, Yakots contains a rudimentary set of consonants, numbering seventeen pure consonants plus three semi-vowels.

	Bilabial, labio-dental	Dental-Alveolar	Palatal	Velar	Glottal
Plosives	p, b	t, d		k, g
Fricatives	f, v	s, z, ʃ, ʒ		x, ɣ	h
Approximates, trills		r, l
Semi-vowels	w		j, ɥ

Orthography.

Consonants.

The symbols p, b, t, d, k, g, f, v, s, z, h, r, l, w and j are used as they are in the IPA. [ɥ] is an allophone of [j] which occurs in a rounded environment. It is always written as j.

s̹ and z̹

The remaining consonants are usually shown as follows: [ʃ] = 's̯', [ʒ] = 'z̯', [x] = 's̹', [ɣ] = 'z̹'. However, many writers have historically used other symbols to represent these sounds. 's̹' and 'z̹', in particular, are frequently written with the diacritics attached. The resulting symbols are similar to 'ʂ' and 'ʐ', but with the curls bending to the left instead of to the right. A long time ago, [ʃ], [ʒ], [x] and [ɣ] were written with the digraphs 'sj', 'zj', 'kh' or 'kj', and 'gh' or 'gj', respectively.

Vowels.

The basic symbols for the vowels are as follows:

	Basically [-round]				Basically [+round]
IPA	i	e	ɛ	a	u	o	ɔ	ɒ
Short Symbol	i	e	è	a	u	o	ò	á
Long Symbol	ī	ē	ḕ	ā	ū	ō	ṑ	ā́
	Modified to [+round]				Modified to [-round]
IPA	y	ø	œ	ɶ	ɯ	ɤ	ʌ	ɑ
Short Symbol	i̥	e̥	è̥	ḁ	u̠	o̠	ò̠	á̠
Long Symbol	ī̥	ē̥	ḕ̥	ḁ̄	ū̠	ō̠	ṑ̠	ā̠́

OE Englisc

Diacritics.

The orthography of vowels necessarily makes use of diacritics to represent roundedness. Each vowel is considered to have a "basic" value for roundedness, which is called into use for the imperative. The front vowels are considered to be essentailly unround, with roundedness marked, while the back vowels are round with unroundedness marked. The diacritic x̥ is used to mark a naturally unround vowel which has been rounded. The diacritic x̠ is used to mark a naturally round vowel which has been unrounded. In addition, the diacritic x̄ is used to represent a long vowel. Vowels marked with [+/-round] or [+long] diacritics are not considered to be separate letters in the alphabet. The diacritic x̀ is used on e and o to show lowering, resulting in values [ɛ] and [ɔ]. The diacric x́ is used on [a] to show backing, resulting in value [ɒ]. The symbols è, ò and á are considered to be letters in their own right, and are listed separately in the alphabet. As mentioned above, the diacritics x̯ and x̹ are applied to 's' and 'z' to indicate palatalization and velarization respectively. The symbols s̯, s̹, z̯ and z̹ are considered unique letters and are listed in the alphabet as such.

In informal writing, many authors will leave most or all diacritics out. Few will leave out the diacritics on è, ò and á, however. Sometimes, when every vowel in a word is marked with x̥ or x̠, the writer will draw the diacritic just once, either under the first vowel or vaguely under the middle of the word. In handwriting, letters with multiple diacritics usually have them smooshed together. For instance, ḕ will most likely be written with as 'e' with a marking that looks something like a greater-than sign (>) above it. A letter that is marked with the diacritics x̠̄ will sometimes just be drawn with the letter inside a square or a large C, while a letter marked with x̥̄ will be written as the letter inscribed in a large symbol that looks similar to ɕ.

Morphology.

Overview.

There are three tiers of the morphology of Yakots. These are:

1. Consonant tier. A stem consisting of two consonants or clusters of consonants, in the form C1-C2. The consonant tier encodes for basic semantic information.

2. Vowel tier. Consists of up to three vowels, labled X, Y and Z. The vowel tier encodes information about tense and person.

3. A binyan or structure tier, around which the vowels and consonants form. The binyanim are responsible for voice, aspect and mood. They are also responsible for the harmonic features of the vowels tier, because the binyanim determine the value [±round] of every vowel in a particular word. A binyan will have slots for the two consonants of the consonant tier, labled C, and a number of vowels, labled X, Y and Z. A binyan may also include additional phonological information, such as obligatory affixes.

The Verb.

The verbal morphology may appear particularly complex, but there's actually a quite sturdy system behind the madness. To demonstrate the simplicity, included below is a simplified conjugation of the verb l-f, "sing."

Simplified Conjugation Paradigm for l-f, "sing"

	1st Person	2nd Person	3rd Person
Thematic Vowels:	X: [ɛ~œ], Y: [ɛj~œw], Z: [a:~ɶ:]	X: [ɯ~u], Y: [ɯɥ~uw], Z: [ɤ:~o:]	X: [i~y], Y: [ij~yw], Z: [e:~ø:]
Active, Present Tense
Indicative Imperfective	lèfè, [lɛfɛ], "I sing"	lu̠fu̠, [lɯfɯ]	lifi, [lifi]
Indicative Perfective	lèf, [lɛf], "I have sung"	lu̠f, [lɯf]	lif, [lif]
Subjunctive Imperfective	lè̥f, [lœf], "I should sing"	luf, [luf]	li̥f, [lyf]
Subjunctive Perfective	lè̥fḁ̄n, [lœfɶ:n] "I should have sung"	lufōn, [lufo:n]	li̥fē̥n [lyfø:n]
Reflexive, Present Tense
Indicative, Imperfective	lāfè, [la:fɛ], "I sing to myself"	lō̠fu̠, [lɤ:fɯ]	lēfi, [le:fi]
Indicative, Perfective	lāf, [la:f], "I have sung to myself"	lō̠f, [lɤ:f]	lēf, [le:f]
Subjunctive, Imperfective	lḁ̄f, [lɶ:f], "I should sing to myself"	lōf, [lo:f]	lē̥f, [lø:f]
Subjunctive, Perfective	lḁ̄fḁ̄n, [lɶ:fɶ:n], "I should have sung to myself"	lōfōn, [lo:fo:n]	lē̥fē̥n, [lø:fø:n]
Passive, Present Tense
Indicative, Imperfective	lèjfe, [lɛjfe], "I am sung to"	lu̠jfu̠, [lɯɥfɯ]	lijfi, [lijfi]
Indicative, Perfective	lèjf, [lɛjf], "I have been sung to"	lu̠jf, [lɯɥf]	lijf, [lijf]
Subjunctive, Imperfective	le̥wf, [lœwf], "I should be sung to"	luwf, [luwf]	li̥wf, [lywf]
Subjunctive, Perfective	lè̥fḁ̄n, [lœwfɶ:n], "I should have been sung to"	luwfōn, [luwfo:n]	li̥wfē̥n, [lywfø:n]

Certainly this isn't a simple system, yet the patterns can be easily seen. All that's needed to co-ordinate the binyanim with the vocalization is to know which values Y and Z correspond to which X, in both states of roundedness. The vocalization scheme is very similar to that of German and English strong verbs, and the change in roundedness is paralleled in German's subjunctive.

Stems.

Each stem consists of two consonants in the form C-C. Below are some example verbal stems:

k-m, "go"; z-p, "wish"; l-f, "sing"; zh-g, "hear"; k-ts "speak."

Vocalization.

Vocalic Variables.

All of the vowels in a verb can be discerned by knowing one of them and its relevant vocalic variable. Each vocalic variable, labled X, Y or Z, indicates the values of the other two in context because each value for a given vocalic variable is associated with preordained values for the other two. That is, for a given vowel X there will always be specific values for Y and Z. As discussed above under the Phonology section, there are a total of sixteen vowel phones, but only eight phonemes because the quality for [round] is determined by the binyan. Both [+round] and [-round] forms are shown below.

Values for the Vocalic Variables X, Y and Z

X		Y		Z
[-round]	[+round]	[-round]	[+round]	[-round]	[+round]
i, [i]	i̥, [y]	ij, [ij]	i̥w, [yw]	ē, [e:]	ē̥, [ø:]
e, [e]	e̥, [ø]	ej, [ej]	e̥w, [øw]	ḕ, [ɛ:]	ḕ̥, [œ:]
è, [ɛ]	è̥, [œ]	èj, [ɛj]	è̥w, [œw]	ā, [a:]	ḁ̄, [ɶ:]
a, [a]	ḁ, [ɶ]	aj, [aj]	ḁw, [ɶw]	aw, [aw]	ḁj, [ɶɥ]
u̠, [ɯ]	u, [u]	u̠j, [ɯɥ]	uw, [uw]	ō̠, [ɤ:]	ō, [o:]
o̠, [ɤ]	o, [o]	o̠j, [ɤɥ]	ow, [ow]	ṑ̠, [ʌ:]	ṑ, [ɔ:]
ò̠, [ʌ]	ò, [ɔ]	ò̠j, [ʌɥ]	òw, [ɔw]	ā̠́, [ɑ:]	ā́, [ɒ:]
a̠, [ɑ]	á, [ɒ]	á̠j, [ɑɥ]	aw, [ɒw]	ew, [ew]	e̥j, [øɥ]

Note that for each vowel X, the vowel Y is a diphthong formed by X+[w, j or ɥ]. The vowel Z is usually a lowered and lengthened X (as, for example X: [i], Z: [e:] ), except for when X is already [+low], in which case a diphthong is formed (as in X: [a], Z: [aw] ).

Conjugation.

The above values are constant associations which never change. What makes them "variables" is how they are put into use to encode for information related to the grammatical person of the subject of the verb and the tense of the verb. There are three persons, aptly labled 1st, 2nd and 3rd. There are in additon two tenses, present and past. Thus, there are a total of six possible values for X, depending on the person and tense. Additionally, there is one infinite form which is used with the infinitive, participle and gerund binyanim. One must remember also that the vowels come in round and unround forms, both of which are shown in the table below.

X-Matrix Conjugation of the Vocalic Variables

	Present		Past
	Unround	Round	Unround	Round
First Person	è, [ɛ]	è̥, [œ]	a	ḁ, [ɶ]
Second Person	u̠, [ɯ]	u	ò̠, [ʌ]	ò, [ɔ]
Third Person	i	i̥, [y]	e	e̥, [ø]
Infinite	o

Binyanim.

All of the information encoded in the stem and the vocalic variables is put together into a pronounceable structure by the binyanim (singular: binyan). The role of the binyanim is to provide a structure around which the stem and vowels may form. The binyanim encodes for voice, mood and aspect as well.

Finite Forms
		Voice
Mood	Aspect	Active (X-oriented)	Passive (Y-oriented)	Reflexive (Z-oriented)
Indicative (unround)	Perfect	C-X-C unround	C-Y-C unround	C-Z-C unround
	Imperfect	C-X-C-X unround	C-Y-C-X unround	C-Z-C-X unround
	Habitual	C-X-n-Z-C unround	C-Y-n-Z-C unround	C-Z-n-Z-C unround
	Continual	X-C-C-Y unround	Y-C-C-Y unround	Z-C-C-Y unround
Subjunctive (round)	Perfect	C-X-C-Z-n round	C-Y-C-Z-n round	C-Z-C-Z-n round
	Imperfect	C-X-C round	C-Y-C round	C-Z-C round
Conditional (round)		C-X-l-X-C round	C-Y-l-Y-C round	C-Z-l-Z-C round
Imperative (basic)		C-X-C basic	C-Y-C basic	C-Z-C basic
Interrogative (unround)		C-X-C-Y unround	C-Y-C-Z unround	C-Z-C-Z unround
Infinite Forms
Infinitive		C-o-C-aw
Participle	Present	gɛ-C-o-C
	Past	lɛ-C-o-C
	Future	zhɛ-C-o-C
	Nominal (gerund)	ya-C-o-C

Examples of Fully-Formed Verbs and Verb Phrases.

k-m, to go:

kœmɶ:n, “I should have gone”

kumo:n zip, “He wished that you had gone”

k-ts, to speak:

zhœ:lœ:g pa kœ:tsø, "He speaks to himself so that he can hear himself."

zh-g, to hear:

ʌɥzhʌ:g?, “did you hear?”

ʌktsʌɥ lo zhaga, “I heard what you were saying.”

l-f, to sing: lɶɥnɶɥf, "We used to sing to each other"

lɔf zhogaw zɛpɛ, "I wish that I could hear you sing.

The Noun.

Nouns are structurally much simpler than verbs, because the binyanim and the vowel patterns are parts of a single system.

Nouns are declined according to a rich ergative-aligned case system, but nouns do not reflect gender of any kind or number, and unlike in many European languages, there's only one declension which is fully regular.

Yakots Declension

Case	Semantic Role	Form	Example
Basic cases
Absolutive	Subject, object	C-a-C	laf, "[the] song"
Ergative	Agent	C-o-C	lof, "[the] song"
Genitive	of X	C-y-C	lyf, "of [the] song"
Locative cases
Adessive	on, at, in X	C-ɔ-C	lɔf, "in [the] song"
Ablative	from X	f(œ)-C-ɶ-C	flɶf, "from [the] song"
Allative	to X	dø-C-ø-C	døløf, "to [the] song"
Essive cases
Subjessive	as X, like X	C-i-C	lif, "as [the] song"
Conessive	with X	ɛ-C-ɛ-C	ɛlɛf, "(together) with [the] song"
Abessive	without X	s(ɛ)-C-a-C	slaf, "without [the] song"
Transessive	into X (something changes)	de-C-e-C	delef, "into [the] song"
Vocative	Oh, X!	u-C-u-C	uluf!, "Oh, song!"

The Modifiers.

Adjectives agree with nouns by taking their central vowel. For instance, an adjective which is part of an absolutive noun phrase will have the form C-a-C. Any prefix that might be in the nominal declension, however, is dropped, so that for instance an allative adjective will have the form C-ø-C, clipped from the noun form dø-C-ø-C. Adverbs which modify adjectives (such as "very big car" or "happily absent coworker") follow this pattern as well, while adverbs which modify verbs ("swiftly run") take the form C-i/y-C-a/ɶ, as in zipa kim, "she has hopefully gone."

Derivational Morphology.

Nominal Derivational Affixes

Form	Input	Semantic	Example Output
-[e/ø]k	dort, farm	Agent of action	dortøk, farmer
-[e/ø]l(ɛ/œ)	dort, farm	Recipient of action	dortlœ, farmland or farm crops
-[e/ø]m(ɛ/œ)z	dort, farm	Result of action	dortmœz, produce/farm products
-[i/y]ɥ(ɤ/o)n	dort, farm	Abstract noun	dortyɥon, agriculture
-[ɯ/u]zh(a/ɶ)	dort, farm	Collective noun	dortuzhɶ, farm country (collection of farms)
-[i/y]st(ɛ/œ)	tork, music	Locative noun	torkystœ, music hall
-[e/ø]w(ɤo)j	tork, music	Process of X	torkøwoj, music-making, the creation process of music

Syntax.

Word Order.

Although word order is technically "free" thanks to the declensional system and concord, there's a strong tendency to put the head at the end of a given phrase, clause or sentence. The standard word order is SOV. Modifiers precede what they modify. There are very few prepositions, with postpositions vastly preferred, and relative clauses are "backwards" to an English speaker. For example,

zhœ:lœ:g           pa   kœ:tsø.              "He talks to himself in order to
hear.3rd.ref.cond  for  talk.3rd.ref.ind      listen to himself."

Pronouns and Demonstratives.

Yakots again makes use of its vowel changes in pronouns and demonstratives.

Pronouns

	1st, k-n	2nd, s-t	3rd, d-k
Absolutive	kan	sat	dak
Ergative	kon	sot	dok
Genitive	kyn	syt	dyk
Adessive	kɔn	sɔt	dɔk
Ablative	fœkɶn	fœsɶt	fedɶk
Allative	døkøn	døsøt	dødøk
Subjessive	kin	sit	dik
Conessive	ɛkɛn	ɛsɛt	ɛdɛk
Abessive	skan	sɛat	sɛdak
Transessive	deken	deset	dedek
Vocative	ukun	usut	uduk

Prosody.

Intonational Contours. The tendency among speakers of Yakots is to bring the tone down at the end of a clause (where a comma would be) but up at the end of a sentence (where a period would be). This is similar to the "uptalk" that's become prevelant in English. Questions need not have a stronger upwards incline, because it's understood that a question is being asked when the verb takes on the interrogative mood.

Word List.

d-rt, N: "a farm", V: "to farm"

k-m, N: "a movement", V:"to go"

k-ts, N: "a speech, a language", V:"to speak, to say, to talk"

l-f, N:"a song", V:"to sing"

t-rk, N:"music", V:"to make music"

z-p, N:"a wish, a want", V:"to wish, to want"

zh-g, N:"(sense of) hearing, sound", V:"to hear, to listen"

Example Texts.

to do when everything else is done.