Tek Riafa

Setting

Tek Riafa is a fan dialect for Hymmnos/Ar Tonelico, but is also used in a modified way by the people of Ramaine. This page will deal primarily with the Hymmnos version, (though the core differences in the Ramaine version sill be covered.)

Pronuciation

A great deal of Tek Riafa is pronounced in a similar rhythm to japanese, but with an english range of consonants. In other words, words tend to be broken quite sharply into sylables.

Vowels

When used in an emotion word, the vowel sounds are as follows:

letter	IPA
a	æ (cat, hat)
e	ɛ (bed, wed)
i	iː (see, fee)
o	ɒ (hot, not)
u	uː (boo, too)
y	aɪ (my, why)

Y can be treated as either a vowel or a consonant.

Outside of emotion sounds, for the most part things are similar but there are occasional exceptions:

When followed by a consonant, i is often pronounced ɪ as in 'six' syllables. Eg: 'Hear' would be pronounced 'heh-ar' rather than 'heer'.

At the end of words, o is often pronounced as əʊ, as in 'no'.

Consonants

Letter	IPA
b	b
c	s
d	d
f	f
g	g
h	k
j	dʒ
k	l
l	l
m	m
n	n
p	p
q	kj (used with u as in english)
v	v
w	w
x	z or kʃ
y	j
Z	z

C is always soft, G is always hard. J is generally hard.

At the beginning of words, X is pronounced the same as Z, otherwise is is used as in 'six'. eg: 'xix' would be said 'zix'. When placed next to a number or symbol, it is pronouced 'ku' (see below).

When Y follows another consonant, they flow quickly together, so 'dya' would be pronouced very similiarly to 'ja'.

Merged sounds

When followed by a noun, 'Ci' is occasionally shifted into a 'sh'. This is most often seen in pronouns such as 'cienna' (us)', which can be said either as 'see-eh-na' or 'sheh-na' depending upon speed/rhythm.

At the end of words, 'ae' is often merged to may an a sound as in 'hay'. eg: Sukae (soul) would be said 'soo-kay' .

Symbols

In the Hymmnos variant, these are generally the same as in Hymmnos. The Ramaine dialect does not use symbols for the most part.

//, = and : are ignored. Words joined by _ or . are spoken as if there is a space between them.

>>	trass
x	ku
0	oh
1	ee
=>	tab

Letter Significance

While these do not apply completely across the board, certain letters or letter combinations have implications they add to the word they're put into

The letter 'i' is one of the most used, and tends to carry a sense of importance, power, size or signifcance. These are often inserted into the middle of words for emphisis or praise (the most key use being in the pronouns to make the formal tenses). 'Y' can carry a similar sense, but tends to be more relaxed. It is less common but seems to have arisen from the words becoming slurred over time.

The letter 'i' as significant also comes into play where Tek Riafa forms nouns from verbs for those involved in the verb ('one who x', 'one who is x') as when prefixed with an i, the meaning is shifted to imply this is their only purpose: 'adorran' being 'singer' and 'iadorran' being 'one who's sole purpose is to sing'. (This method of forming nouns from verbs will be covered in more detail later.)

You also use 'i' to create the plural forms of nouns (which is done by doubling the last sound and adding i if it ends in a consonant, or si if it ends in a vowel).

Anything prefixed with a x- sound tends to be a negative or a reversal of something.

Emotion Language

An emotion word can be easily identified by the fact it ends in //

They are effectively a matrix, and formed of a number of stages, and consequently able to express complex concepts in a very short period of time.

Stage 1- Emotion

This step contains one or two concepts. They can be split into 2 types: The first, if included, is written as a vowel and contains a general tone. They rarely appear on their own. The second type is more specific and is written as either a single consonant or a collection that makes a particular sound. One special stage one element is xix-, which reverses the meaning of the rest of stage 1.

Letter/Sound	Meaning
a-	General driven/encouraging action or change/"Go!"
b-	Ammused
bw-	Selfish/jealous/holding close/'this is MINE'
ch-	Disgust
d-	Anger
e-	General distaste/dislike of things as they are)
f-	Hoping/wishing
g-	Bitterness/frustration
h-	Despair/regret
i-	General helplessness/fear/'Help me!'
j-	Excited/confident
k-	Fear
l-	Happy/enthusiastic
m-	Wanting to encourage/nurture/create/instigate
n-	Acceptance
o-	General affirmation of things
p-	Obligation
qu-	Curious
r-	Passion/fervour/determined
s-	Doubt
sh-	Rejecting/defiant
sk-	Betrayed/hope unfullfilled
st-	Understanding
sw-	Sympathy/connection/sync
sp-	Questioning
t-	Desperate
tw-	Bored/uninterested
th-	Concerned/Protective
u-	General love/contentment/approval of things as they are
v-	Trance/execution state
w-	Desire/want/need
xix-	Reverses the emotion of this stage
y-	Pity
z-	Desire to destroy/stop/end

Stage 2- Intensity/Attitude

Another 2 part step. The optional first part expresses what the singer feels about the emotion:

-r-	I want this to be fullfilled
-l-	I want this to be cut off

The second part is essential and expresses the strength of the feeling

a (ah)	Fairly/Generally
e (eh)	Not at all
i (ee)	More than anything else
o (oh)	Uncertainly
u (oo)	Slightly
y (eye)	Deeply

Stage 3- Subject/Subject Modifier

These can be layered up quite a way, but generally it's best to make sure it's something pronounceable. r and ch behave differently if there is an r or l in stage two— they will refer to how soon you want the feeling to be fulfilled/end. If you need them twice (you want something to be fulfilled quickly, but only be short lived, you would use a y as well (this is optional if there is no l or r in stage 2.)

(blank)	Myself/this (general)/the subject
z	Negative modifier (i.e: zim = things not my world)
i	my (always means the singer, even if there is another subject using it)
y	my (refers to the one speaking in the song)
e	your
o	our
a	everything/everyone's
u	object of the action being performed
t	this/of this thing (what the emote itself is attached to)
n	self/person/people
m	world
sh	future
tz	death/end/finish
ll	start/birth/begining
g	past
c	actions
ss	situation
y	duration
ff	wishes/desires/feelings
zz	nothingness/lack
r	to go on forever/last a long time
ch	to be short lived/just now/quickly

Examples

ary// deeply, actively determined (ah-rye)

ikien// more than anything else, helplessly afraid of you (ee-kee-en)

xixunaotz// Not lovingly accepting the death of everything (zix-u-nah-ots)

General Grammar

The majority of Tek Riafa sentences are in SVO form, and for anything not in simple present tense, with a tense code formed much in the same way as the emotion words appended to the front.

Tenses

A tense code can be recognised in the Hymmnos version of the language by its ending in '://'. They are made up of up 3 components, arranged in various orders. The three elements signify the time being spoken about, the permenance/duration of it and finally the nature of the statement, which included commands, potential and obligation.
Often this last type is the first to appear in the tense code.

Time Tense Elements

a- always have
e- never before
o- past
i- future
(blank)-now

Duraration Tense Elements

ki- This state will continue forever
ke- This state will not continue forever/will change soon.
ka- This state will not continue beyond the now
ko- This state has ceased in the past
(blank)- This state goes on an unspecified time

Note: These refer to the time tense elements in their meaning, particularly with a- and e-. In otherwords, while 'aki://' means 'Always have and always will', 'eki://' means 'Never have and never will'.

Statement Type Tense Elements

rha- order/request

xarha - forbidding

tra- would/conditional

xatra - would not

twef - want/desirative

xatwef - do not want

shra- might

dan - possible

xadan - impossible

din - required/must

xadin - not required

(blank) - simple statement

Examples

cer.adorra (You sing)

o://cer.adorra (You sang)

ka://cer.adorra (You won't sing any more)

ko://cer.adorra (You stopped singing before now)

eki://cer.adorra (You never sang before and you still won't.)

eka://cer.adorra (You never sang before but now you will)

rhaki://cer.adorra (keep singing!)

adin://cer.adorra (You have always been required to sing)

dani://cer.adorra (You can sing in the future)

Passive and reflexive statements

These are rendered by using a 're:' for passive statments or a 'me:' for reflexive, placed before the pronoun but after the tense code (if there is one)

eg:

cen.alidya (I help)

re:cen.alidya (I am helped)

me:cen.alidya (I help myself)

aki://me:cen.alidya (I have always helped my self and I will continue to do so)

It should be noted that some verbs are effectively already passive or reflexive when translated, particularly in 'state' words. This will be covered in more detail later.

Pronouns, Possessives and Articles

Pronouns

Tek Riafa pronouns have both a 'formal' and 'informal' case, though this refers more to power, importace and significance to the speaker rather than to social status. Whether they are subject or object is infered from word order.

	Singular Informal	Plural Informal	Singular Formal	Plural Formal
I - First Person	cen	cenna	cien	cienna
You - Second Person	cer	cerra	cier	cierra
He/It - Masculine 3rd Person	cet	cetta	ciet	cietta
She/It - Feminine 3rd Person	ces	cessa	cies	ciessa
It - Neuter 3rd Person	ced	cedda	cied	ciedda

There is also a form for places, which translates a little differently:

Cel (Here)

Cella (All around here)

Ciel (The World)

Ciella (Absolutely everywhere)

Which gender of 3rd person pronoun you use for a particular word can vary: There is a hirachy of things to decide which should be used. In order of imporance, it goes:

1) The actual gender of the thing in question. e.g. a girl would take 'ces' or 'cies'.

2) If there is a strong mood you wish to invoke by it, inanimate objects may be personified with a gender.

3) The gender of the owner of the thing in question. e.g. a book belonging to a boy would take 'cet', but if it belonged to a girl it would take 'ces'.

4) If known, the creator of the object's gender.

5) If none of the above are applicable, it will take the neuter 3rd person.

Possessives

There are a number of ways to form a possessive.

The Hymmnos only way is to join the words with a '_' such as 'cen_adra' (my song). The owner preceeds the thing owned.

In a similar format, when the owner is expressed with a pronoun, you can omit the _, but swap the 'e' in the pronoun for an 'a', e.g. 'can adra' (my song).

You can also use the words 'ar' and 'aro' to express ownership, placed between the two words. With ar, the first word owns the second, with aro the first word belongs to the second, i.e.:

Cesren ar rion (girl's star)

Cesren aro rion (girl belonging to star)

Using a possessive with a verb transforms it into a gerund, in other words 'nouning' it, e.g.

Cer adorra (You sing)

Car adorra (Your singing)

Fomality

Used on it's own, the informal case is neutral, however if a formal pronoun or article is used in the same statement as an informal, it strongly implies the informal is either worth less, weaker, subjegated or somehow inferior to the formal. ie:

Cen enviyaci car logia (I witness your actions)

Cen enviyaci ciar logia (I witness your actions, precious one)(More accurately/literally, 'unimportant me witnesses the actions of precious you')

Cien enviyaci car logia (I witness your actions, worthless one)(More accurately/literally, 'Precious me witnesses the actions of unimportant you')

Insult Case

There is also a much less common pair of cases which are actively insulting and regarded as rather course and unsubtle, reserved for objects of utmost contempt and where appropriate, implies that the speaker has set themselves in opposition to the thing in question and intends to fight. It is formed by replacing the 'c-' with 'zux-'. This can be used 'formally' or 'informally', the informal implying general hate and worthlessness, and the formal implying a personal significance to the hatred. These can be translated as colourfully and obscenely as you like, but a clean example for clarity's sake could be:

Zuxer! (You worthless peice of trash, you're going down!)

Zuxier! (You worthless peice of trash, you're the bane of my existance, bring it on!)

Articles

Articles may be omitted in Tek Riafa, and simply infered by context. However, they do exist and carry an implication of how common the thing in question is, as well as the formality level, and are often used to voice the tone from a pronoun with a noun. They may be used with both nouns and propper nouns, and with a verb it creates a gerund in the same way using a possessive will.

Articles are formed using an appropriate pronoun, prefixed with a letter. The prefix meanings are as follows:

i - The/THIS ONE HERE, with an added implication of that thing being absolutely unique.
y - (said 'ay') The/THIS ONE HERE
(no article at all) - Inferred from context, no feelings given
a - a/some of something not that common, or where not many are relevant to the situation
u - a/some of something quite common
e - one of something incredibly common

Examples:

Can iciet fillyasur (My unique and precious beloved)

Ycies cesren (This important girl)

Acied avirenje en yced kajo (A precious little bird in the cage, of the few we're talking about)

Ucied falfolin (A precious flower, one of the various flowers there are)

Ecedda falfolinini (Some common flowers, out of the many other flowers)

Icies Asterikos (Asterikos and nobody else, precious and unique)

Word Types

In general, the borders between nouns, verbs and adjectives are often a little blurry in Tek Riafa, and there are various ways of transforming words from one type to another.

State Words

A number of words in Tek Riafa are flexible as to whether they are a verb, noun or adjective. These words are refered to as states and include things such as 'nefesti' (manifested), 'logia' (action), 'tensei' (intent or plan), 'wendan' (change), 'takya' (taken) and 'xatae' (lacked). Their exact translation varies depending on how they are used.

As well as being able to be used as nouns, all state words can be used as verbs, translating roughly in for form of 'be in the state of <word>', though this may not always make grammatical sense in english. Such verbs might not always make sense for a person to perform. eg:

Cen.wendan ('I change' or more directly 'I am in the state of change')

Can_tensei.logia ('My plan is in action' or 'my plan is in the state of action')

A state word (and indeed almost all verbs) may also be prefixed with 'en', changing the meaning into 'Put into a state of <word>'. eg:

Cen.takya ('I am taken')

Cen.entakya ('I take')

It should be noted that while in a lot of cases the base and en form may be translated as passive and active forms of a verb, the meanings are not always exactly so. The en- form may be used with the passive modifier, and when this is done there is the explicity implication that the the subject has been put into the state by somebody else, which is not neccisarily the case simply by using the base state word. eg:

Cen.wendan ('I change/I am in a state of change')

Cen.enwendan ('I change something/I put something into a state of change')

Re:cen.enwendan ('I am changed/I am put into a state of change')

Me:cen.enwendan ('I change myself/I put myself into a state of change')

Rha://cer.percea ('Be shown!/Be in a state of being shown!')

Rha://re:cer.enpercea ('Be shown!/Be put into a state of being shown!')

Rha://me:cer.entenira ('Show yourself!/Put yourself into a state of being shown')

Compared to the 're:' version, a base state word effectively comes somewhere between the passive and reflexive, and in some cases can subtly imply a degree of complicity or the subject actively placing themselves in the state compared to the 're: + en' form where all agency has been removed from them (rather than the more obvious implication by using the reflexive form). In other words, the 'passive/reflexive + en' forms explicitly state the subject's part in entering the state, whereas the base state verb keeps it open.

'Verbing' adjectives

Prefixing 'en' may be done to a great deal of words, where the resulting meaning makes sense. In particular, most adjectives can be used like this, rendering as a verb meaning 'Cause to be <adjective>'. To get something meaning simply 'To be <adjective>' you would either preceed it by the word 'es' (which exclusively used for verbing things), or use one of the 'to be' verbs such as 'is', 'dya' or 'idya' . eg:

Cen.froi ('cold me')

Cen.enfroi ('I make something cold')

Re:cen.enfroi ('I am made cold')

Cen es froi ('I'm cold')

Cen.is froi ('I'm cold')

Cen.dya froi ('I am being cold')

Cen.idya froi ('I am made to be cold/I am made into cold')

Nouns from Verbs and Adjectives

As well as transforming a verb into a noun using an article, we can also form nouns for the things involved in that action, or indeed in an adjective. This is done by suffixing -n (where the word ends with a vowel, -un where it ends with a consonant), -na, -nu, -ne or -nae.

How these translate can vary from word to word, and not all of them can be used in every case, but in general:

-n/-un is primarily used for the result, or thing/person used by the action, or if there is not one of these, for the recipient or target of the action. It can refer to any of these, unless -ne or -nae can also be used (see below).

-na is used for the instigator of the action.

-nu is used for the cause, or what the action is 'about'.

-ne is used when there is both a result and something/someone that is used in the process of the action (and these are separate things) to mean the thing/person used in the process.

-nae is used where there is a result and a recipient/target, and refers to the recipient/target of the action.

You can also prefix the word with an 'i' to add 'One who exists only as/for' to its meaning.

Examples:

Adorra ('To sing')

Adorran ('Song')

Adorrana ('Singer')

Iadorrana ('One who exists only to sing')

Adorranae ('One sung to')

Adorranu ('Thing that moves one to sing')'

Koimao ('To kill/silence')

Koimaon ('One killed/Silenced')

Koimaona ('Killer')

Ikoimaona ('One who exists only to kill')

Koimaone ('Method of killing')

Koimaonu ('Thing that moves one to kill')

Seolta ('Wise')

Seoltan ('Wisdom')

Seoltana ('Wise person')

Tenira ('Given (state)')

Teniran ('Something given')

Tenirana ('Something which gives')

Teniranae ('Something given to')

Tenirane ('Way of being given')

Teniranu ('What moves one to be given')

Numbers

Tek Riafa uses a Hexidecimal (Base 16) counting system.

Numbering system glyph

==

The pronunciation is as follows:

0-Hii
1-Arr
2-Her
3-Fro
4-Gai
5-Ress
6-Zeu
7-Yu
8-Cro
9-Pos
A-Dez
B-Dem
C-Thi
D-Ra
E-Hest
F-Chir

To repeat a digit a larger number of times, you can follow it with the amount of occurances, suffixed with -la. ie: '56FFFFFF' can be said as either 'RessZeuChirChirChirChirChirChir' or 'RessZeuChirZeula'

To avoid confusion when writing in roman letters, numbers are proceded with a #.

If a 0 or 1 occur with no #, this is binary and will be pronounced as in Hymmnos, ie 'Oh' for 0 and 'ee' for 1.

As well as for counting, in the Hymmnos version the numbers may be used in a further code where each digit has a meaning, reffered to a 'hexmatrix'. Hexmatrix numbers always end with a /.

Hexmatrix

A hexmatrix code is a set of numbers use in Tek Riafa Hymmnos that carry a meaning. They come in 2 forms: command and statement. They are differentiated from normal numbers by ending with a '/.' and do not use the repeating form when spoken. They are formed of 4 or 5 components, each of which must have the same number of digits.

Statement codes are used to simply express things, where as command codes actually issue a direct command to the Tek Riafa server. A statement is denoted by having a preceding # as normal, whereas a command replaces the # with '0x'

By default there are 4 components in a hexmatrix, but if there are five the fifth section will be preceded by a single >. The meaning of these components varies depending on the direction of the power flow, which is defined in the power component. Under 50% of the maximum number possible for that number of digits refers to an inward flow, over 50% to an outward.

Command + Inward : (I-who/what the request is being made to)(II-Process)(III-Intent/Reason)(IV-Power)>(V-target)

Command + Outward : (I-target)(II-process)(III-intent/reason)(IV-power)>(V-for the sake of what)

Statement + Inward : As command

Statement + Outward : (I-subject)(II-process)(III-intent/reason)(IV-power)>(V-object)

The difference between inward statments and commands is that no power flow occurs in the statement, it is simply a request, whereas the command actively draws power from outside in order to execute the the process through the singer. And outward command draws on the power already built in the server to execute the process through the singer.

The meanings for each part are as follows

(I) and (V)	(II)	(III)
0-Self/I 1-You/This 2-People/Person 3-World 4-Sky/Freedom/Change 5-Land/Strength/Sure/Stable 6-Water/Calm/Restraint/Drowned 7-Fire/Burning/passion/Need 8-Danger 9-Wish/Feelings A-Power B-Life C-Light/Hope D-Dark/Death E-Good/Holy F-Evil/Enemy	0-Begin/Initiate/Create 1-Transmit/Channel/Work through 2-Connect/Become open 3-Free/Remove restraints 4-Charge/Empower 5-Repair (if no target 'repair yourself') 6-Reject/Firewall 7-Isolate/Disconnect 8-Repeat/Prolong 9-Restrain (If no target 'be restrained') A-Drain/Take power from/Consume (if no target, 'be drained') B-Dominate/Hack (if no target, be dominated) C-Halt/Stop (If no target, 'Halt yourself') D-Crash/Break (if no target, 'Crash yourself') E-Kill/Destroy (if no target, 'Die') F-Reverse	0-Trance/automatic/No emotions 1-Lost/Despair/Sorrow/'I feel empty' 2-Casually/For fun 3-Pleasure/Gratification/Satisfaction 4-Praise/Wanting to impress 5-Love/Expressing love 6-Concern/Wish to aid 7-Reward/Thanks 8-Justice/Truth/Duty/'Because it is right' 9-Atonement A-Punishment B-Revenge/Anger C-Fear/Protecting against D-Jealousy/Desire E-Need/Lack/Frenzy F-Insanity/Overload/Broken

in (IV), power level, weather it is an inwards or outwards powerflow is defined by if it is over or under 50% (Under for inwards, over for outwards) and how far from 50% it is defines the level of power or intensity of the statement.

When translating (I) and (V), a lot is open to interpretation. In general things get more specific the further along you go, eg

1 - person

18 - dangerous person

81 - danger to people

And repeating a digit emphasises:

88 - great danger.

In (II), functions are given in sequence but a repeat emphasises.

9A - Restrain and drain the power

9AA - Restrain and completely consume

In (III), the meanings are stacked up, with the first being the most important though again, with a repeat implying emphasis. They always refer to the speaker's feelings.

If you do not want to use every digit of the number, you can use 'x' to cut it short, with a preceding '-' for each digit missing after the first.

Commands are exectuted immediately following the '/.'. If you wish to chain up a set of commands to be exectuted in tandem, you can join them with a '.' in place of the '0x'.

Examples:

'0x86CE/.' (Through this fear, create a barrier against danger)

'0xEC248526>0A/.' (Oh holy light, through this justice and love, connect and empower my power)

'#3B546x23>92/.' (In this desire to help, repair and empower the life of the planet for the sake of the people's wishes)

'#6889DxC11EEE>3-x/.' (In my fear and deep emptiness, The sea of death restrains and breaks the world)

'0xC4E1>0.F19D8AE9/.' (Oh light, through this need, empower me. Through this justice and punishment, restrain and break this evil one)

Language Functions

ARR

ARR, (or 'Array') commands are similar to setting variables in computer code, though with no difference being given between a string and an array. There are a few ways to interact with, call or modify an Arr:

• ARR=NAME 1x-/ foo - bar - baz /-0x
• NAME => foo | bar | baz ;

Array definitions. In the first case, ARR means 'define the Array' and is used to either create the array or fully replace it. NAME is whatever word will be used to call the array. 1x-/ opens the list of items for the array. foo, bar, and baz are the terms in the array here. There can be any number of them, and they use - as a separator. /-0x closes the function. In the second case => tells us it is a definition, and ; closes the definition, with | as term separators

• ADD=NAME 1x-/ bash /-0x
• NAME ++> bash ;

This adds a term to the end of the array after it has been defined.

• NAME

To call the whole contents array, you use the name. So this would return foo, bar, baz and bash.

• NAME-/0101/-

To call certain parts of the var, you can use binary, 0 for off and 1 for on. This example would return bar and bash.

• NAME-/01x/-

The x ends the call, treating everything after it as 0. So this would return bar only.

• STRIKE=NAME-/001x/-
• NAME --> 001x ;

Removes the called term from the array. So this would remove baz, leaving foo, bar and bash.

You can also remove specfic terms, as in NAME --> baz ; Example:

CELE => adorra | korros ; ( CELE is equal to 'sing' and 'dance')

Cen CELE yaz ciel. ('I sing about the world' and 'I dance about the world')

CELE ++> naofi ; (Add 'worship' to CELE)

Cen CELE yaz ciel. ('I sing about the world', 'I dance about the world' and 'I worship the world')

Lexicon

Tek Riafa Word	Type	Translation	Notes
-aeru	suffix	gas
-darr	suffix	sound
-est	suffix	feeling
-flinnen	suffix	texture
-fola	suffix	wood
-folin	suffix	plant
-gal	suffix	size
-holst	suffix	structure, building, thing that does something passive
-hyla	suffix	flesh, living body
-hylo	suffix	meat, dead body
-je	adjective	small
-kawa	suffix	liquid	Inorganic
-lawa	suffix	liquid	Organic, but not water
-osmil	suffix	scent
-pal	suffix	temperament, disposition
-rak	suffix	artificial life	also used for anyus
-ren	suffix	person
-russ	suffix	animal
-silen	suffix	sculpture, artwork, thing made for aesthetic purposes
-stya	suffix	frenzy of, festival of
-su	suffix	feeling
-sur	modifier	overwhelmingly, to death, be overtaken by	eg, zangsur = bleed to death
-tek	suffix	machine, construction, thing that does something active
-tekra	suffix	Non-natural solid
-telra	suffix	natural solid, stone, glass
-tem	suffix	time
-tescra	suffix	metal
-tol	suffix	colour
-vinnal	suffix	taste
-vyass	suffix	appearance, look
adiorra	verb	to sing with power
adorra	verb	to sing
aera	noun	air
aeral	noun	wind
aeriasur	verb	be disconnected, lost, unreachable
aeyo	noun	mist
aichmalotoso	noun	prisoner
ainna		bottom
aiyya		top
aleifo	verb	to annoint
alesti	adjective	naked
alidya	verb	to help
alitru	adjective	selfless
alkya	state	initiated, begin
altru	adjective	kind, helpful
alyll	adjective	healthy, beneficial
ammara	noun	chains
an	conjunction	and
anna		down
annen	adjective	below
ar	modifier	possessive	A ar B = A's B
arda	noun	fire
ardo	verb	to burn like fire
arida	noun	consuming fire
aro	modifier	possessive	A aro B = A belong to B
arr	adjective	hot
arte	state	owned
arwio	verb	to dissolve into nothingness
arwo	verb	to be dissolving in something
awaje	noun	droplet
awala	noun	pool
awi	verb	to flow like water
awia	noun	sea
awin	noun	river
aww	adjective	wet
awwa	noun	water
ayma	verb	to need something to live
ayman	noun	blood
aymmil	noun	veins
ayya		up
ayyen	adjective	above
cadera	verb	to fall
carin	adjective	kind, warm, gentle
ced	pronoun	it (neuter 3rd person singular)	low case
cedda	pronoun	them (neuter 3rd person pleural)	low case
cel	pronoun	here
cella	pronoun	all around here
cen	pronoun	I	low case
cenna	pronoun	us, we	low case
cer	pronoun	you (singular)	low case
cerra	pronoun	you (pleural)	low case
ces	pronoun	she, it (feminine 3rd person singular)	low case
cessa	pronoun	them (feminine 3rd person pleural)	low case
cet	pronoun	he, it, (masculine 3rd person singular)	low case
cetta	pronoun	them (masculine 3rd person pleural)	low case
cied	pronoun	it (neuter 3rd person singular)	high case
ciedda	pronoun	them (neuter 3rd person pleural)	high case
ciel	pronoun	the world
ciella	pronoun	all of creation
cien	pronoun	I	high case
cienna	pronoun	us, we	high case
cier	pronoun	you (singular)	high case
cierra	pronoun	you (pleural)	high case
cies	pronoun	she, it (feminine 3rd person singular)	high case
ciessa	pronoun	them (feminine 3rd person pleural)	high case
ciet	pronoun	he, it, (masculine 3rd person singular)	high case
cietta	pronoun	them (masculine 3rd person pleural)	high case
derma	noun	skin
derra	verb	to say
dezae	state	desired, wanted
dierra	verb	to shout
diortho	verb	to fix, to heal
dira	state	said
donta	noun	teeth
duloso	noun	slave
dya	state	be as x
dyass	adverb	in the manner of, as if, as, in place of
dyawi	verb	to melt, to dissolve
dyoti	state	healed
ec	conjunction	so, then
en	conjunction	to, into, at, onto
en-	prefix	cause
enar	verb	to have
ennca	adjective	enclosing, surrounding
ennco	verb	to surround
ennica	adjective	enclosing completely
es	verb	to be	Only used when verbing something
esei	state	attempted
esku	noun	hand
eskua	noun	hands	all belonging to one thing
est	verb	to be feeling, to be in a state of	Used when no // is being used
evne	state	named
ey	conjunction	by
fafolin	noun	flower
fajesia	noun	feasting
fayra	noun	fire
fel	adjective	gentle
fenya	verb	to pretend to be
fenyan	noun	a lie
fey	verb	to pretend something, to imagine something
fill	adjective	good, pleasant, agreeable
filla		love
fillen	adjective	loving
fillya		great love
fillyasur	noun	beloved
fiortza	verb	to irresistibly force
fira	noun	fire
folin	noun	plant
folincel	noun	garden, field
fortza	verb	to force
froi	adjective	cold
froiel	noun	snow
froio	verb	to freeze
glitchyin	adjective	malfunctioning, insane
grac	adjective	disagreeable, disgusting, bad
habri	adjective	delicate
halya	verb	to embrace
hei		“hello”
helkema	verb	to sacrifice
heyerio	verb	to purify and prepare for sacrifice
heyero	verb	to make something into a gift
hiyeri	verb	to purify
holmo	adjective	foolish
hya	state	occur
hyla	noun	flesh
hyle	state	reality, to be
hylifa	verb	to defend
hylikya	verb	to fight off, to defend
iayman	noun	lifeblood
idya	verb	be made to be, be made into
idyo	verb	to make someone be	used form 'idyo 1 en 2' for 'make 1 be 2'
ir	conjunction	or
ira	noun	sky
is	verb	to be, is, are, am
ivier		birth, ultimate beginning
ixian		death, ultimate end
iyss	verb	suffer
izdati	verb	to betray
jalku	noun	foot
jalkua	noun	feet	all belonging to one thing
jatka	state	continue
jein	adjective	small
jero	verb	to sanctify
jula	verb	to celebrate
julan	noun	celebration
juxen	adjective	around by something
kajo	noun	cage
kaola	noun	neck
kaski	state	damage
kaskino	adjective	paralysed, unable to move
kassa	verb	to break things
kassor	adjective	broken, physically
katapolemo	verb	to fight, to resist
keffa	noun	head
kessa	state	divided
kesta	verb	to withstand
kez		is it true or false
kiec		what action, what way
kiel		where
kien		who
kies		why
kiet		what thing
kiey		when
kinawi	verb	to wash away
kino	verb	to move
kiredo	noun	most important belief
kodi	state	responded to	en form: to be a response
kodi	verb	respond
kodya	verb	react
koimao	verb	to kill, to silence, to make sleep
korros	verb	to dance
koten	noun	reward
kotia	adjective	covered by
kotyo	verb	to cover, to hold down
kovra	verb	exchange, replace
kovria	verb	replace utterly
kredo	noun	belief
kurir	verb	to run
kuvaren	noun	reflection (of a person)
kuvasti	verb	to reflect (as a mirror)
kuvastin	noun	reflection (of things)
kya	verb	to fight, to resist
kynae	state	position
lal	adjective	all, completely
lemi	verb	to cry
liba	adjective	free
lion	state	filled
liri	verb	to smile
logia	state	action
luo	state	creation
luota	verb	to trust
lya	verb	be complete, be whole, be all
lyan	adjective	complete, whole
lyzir	verb	to shine, to transmit
lyzira	noun	light
megla	adjective	big
min		less than
morfae	state	known, understood
my		more than
naofa	adjective	holy, to be worshipped
naofi	verb	to worship, to praise
naoha	adjective	ribbon
nefesti	state	manifested, real
o	conjunction	that, which, who	pronounced like omega
okk	noun	eye
okka	noun	eyes	all belonging to one thing
oniro	verb	to dream
onirosur	verb	to be dreaming
onro	verb	to dream
paya	adjective	holy, for use in sacred ritual
pera	state	adjust
percea	state	shown, revealed, shared
pitvat	verb	to examine, to question, to experiment on
pitviat	verb	to dissect, cold violence
praja	noun	leg
prioxa	adjective	right close to here
prioxen	adjective	right next to something
proxa	adjective	close to here
proxen	adjective	close to something
rafolin	noun	crop
rajja	noun	limb
rava	state	drain
ravawi	verb	to erode away
ravi	verb	eat
ravin	noun	food
ravwi	verb	to drink
ravwin	noun	drink
redae	verb	to be saved
redya	verb	to save
redyan	noun	something saved
rekass	adjective	self-destructive
remor	state	remembered
rentan	adjective	vulnerable
resem	verb	to resemble
rion	noun	star
riri	verb	to laugh
rya	state	alive
saliya	verb	to allow
sam	adjective	single, one
saro	verb	to tear off, to move violently away
seiva	adjective	pretty
seolta	adjective	wise, smart
seren	noun	star
sharae	state	closed
sim		only, nothing but this
sima	adjective	unique
sirriku	adjective	in pieces
siru	noun	fragment, shard
skade	verb	suffer
skaja	noun	arm
skepa	verb	to coat
skiade	verb	suffer unbearably
skotien	adjective	dark, out of action
skrac	adjective	unhealthy, dangerous
skyoda	verb	to eat, to consume
skyolazir	verb	to put out the light, to darken, to silence
sol	adjective	only, just
sol		merely
sola	adjective	alone
sor	adjective	on
stomma	noun	mouth
sudel	verb	to kiss
sukae	state	feeling, soul
sulla	noun	lips
supa	verb	to ask
supan	noun	request
suplica		“I beg you”
suplya	verb	to plead
suplyan	noun	plea
surra	adjective	amongst
surria	adjective	surrounded, completely surrounded
takya	state	taken
talo	noun	house
talti	verb	to enslave, to put on a leash
taltin	noun	leash
taltinae	noun	prisoner
tappla	verb	to fight unarmed, to brawl, to scrap
tarata	verb	to stain, to mark	This has a negative tone
taya	state	charge
tekes	noun	ritual
tel	verb	use
teleta	verb	to conduct a ceremony
temo	noun	time
tenira	state	given
tensei	state	intent, plan
tenya	verb	to hold
terra	noun	earth
thysia	verb	to sacrifice
thysian	noun	sacrificed victim
tif	adjective	enough
tikua	verb	to permeate
to	subject definer
tomo	verb	to share
tomyo	verb	to divide up and share
tovra	verb	be a friend to
tovran	noun	friend
tripo	verb	to pierce
tso		this, what is being talked about
tsoc		this action
tsof		this feeling
tsol		this place
tson		this person
tsos		this situation
tsot		this thing
tuo	state	destruction
turmela	verb	to corrupt
tydan	noun	something that sates or fulfils
tydya	verb	to sate, to fulfil, to satisfy, to repair negative state
tyf	state	enough
tystella	verb	to fight with weapons drawn, to fight hard, to fight with intent
uhri	verb	to overwhelm, to use, to make a victim
uhrin	noun	victim
ulta	verb	to reach, to extend to
umma	noun	waist
un	modifier	in the way of	adverbs a feeling where no // is used
unnesa	verb	to sleep
vafo	verb	to paint, to apply
valmsta	state	ready
vastra	noun	stomach
vate	verb	to wear
vaten	noun	clothes
vazae	state	open
ver		yes, true, positive
vier		definitely, strong positive
vina	verb	to taste
viyaci	state	witnessed
vyal	verb	to be worth
vyla	verb	to value
wendan	state	change
xadya	state	to not be	en form: to remove
xakaso	adjective	unbroken
xan		no, stop, halt, false, general negative
xaravin	adjective	hungry
xarya	state	dead
xatae	state	lacked	en form: to lack
xatif	adjective	insufficient
xatyf	state	insufficient
xatyn	state	lost	en form: to lose
xian		never, destroy, strong general negative
xio	conjunction	that which is not
xiseolta	adjective	foolish
xix	state	reversed
xon	state	stopped before it is time
xyass	state	end in its own way
ya	joining clause	if	if A, B
yad	joining clause	while	A while B
yadda	joining clause	while	while A, B
yadde	joining clause	while	A while B
yaf	joining clause	until	A until B
yaffa	joining clause	until	to the point of A, B
yaffe	joining clause	until	A to the point of B
yakka	joining clause	if, then not	if A, not B
yakke	joining clause	if, then not	not A if B
yalla	joining clause	else	A, else B
yalle	joining clause	else	A if not B
yan	joining clause	despite	A, but B
yan	joining clause	but
yanna	joining clause	despite	despite A, B
yanne	joining clause	despite	A despite B
yar	joining clause	because	A because B
yarra	joining clause	because	because of A, B
yarre	joining clause	because	A because B
yas	joining clause	for	A for B
yask	joining clause	none the less
yaska	joining clause	regardless of	regardless of A, B
yaske	joining clause	regardless of	A regardless of B
yassa	joining clause	for	for A, B
yasse	joining clause	for	A for B
yat	joining clause	using	by doing/using A, B
yatta	joining clause	using	A by doing/using B
yatte	joining clause	using	by doing/using A, B
yav	joining clause	instead	A instead of B
yavva	joining clause	instead	instead of A, B
yavve	joining clause	instead	A instead of B
yaw	joining clause	alongside, with	A along with B
yawwa	joining clause	alongside, with	along with A, B
yawwe	joining clause	alongside, with	A along with B
yax	joining clause	without	A without B
yaxxa	joining clause	without	without A, B
yaxxe	joining clause	without	A without B
yaz	joining clause	about	A about B
yazza	joining clause	about	about A, B
yazze	joining clause	about	A about B
ye	joining clause	if	A if B
zang	verb	to bleed
zangin	noun	blood
zerstor	adjective	broken, will
zoi	noun	life
zrakt	verb	to be brutal
zriact	verb	to be in a frenzy of violence
zuxed	pronoun	it (neuter 3rd person singular)	low opposing case
zuxedda	pronoun	them (neuter 3rd person pleural)	low opposing case
zuxen	pronoun	I	low opposing case
zuxenna	pronoun	us, we	low opposing case
zuxer	pronoun	you (singular)	low opposing case
zuxerra	pronoun	you (pleural)	low opposing case
zuxes	pronoun	she, it (feminine 3rd person singular)	low opposing case
zuxessa	pronoun	them (feminine 3rd person pleural)	low opposing case
zuxet	pronoun	he, it, (masculine 3rd person singular)	low opposing case
zuxetta	pronoun	them (masculine 3rd person pleural)	low opposing case
zuxied	pronoun	it (neuter 3rd person singular)	high opposing case
zuxiedda	pronoun	them (neuter 3rd person pleural)	high opposing case
zuxien	pronoun	I	high opposing case
zuxienna	pronoun	us, we	high opposing case
zuxier	pronoun	you (singular)	high opposing case
zuxierra	pronoun	you (pleural)	high opposing case
zuxies	pronoun	she, it (feminine 3rd person singular)	high opposing case
zuxiessa	pronoun	them (feminine 3rd person pleural)	high opposing case
zuxiet	pronoun	he, it, (masculine 3rd person singular)	high opposing case
zuxietta	pronoun	them (masculine 3rd person pleural)	high opposing case