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Hymmnos is a language created by Akira Tsuchiya for Ar tonelico, a video game series. According to the game world's history, it was formerly a common, spoken language, but has fallen out of use by the time of the main story's events (circa A.D. 3700). In modern times, Hymmnos is used only for songs that interface with ancient machinery. It appears to be a distant descendent of English with influences from Japanese, Sanskrit and German.

It's interesting in that it puts a very strong emphasis on conveying the emotions of the speaker.

Contents 1 Origins 2 Writing 3 Grammar (Standard Hymmnos) 3.1 Basic Structure 3.1.1 Structure with a Subject 3.1.2 Pronouns 3.1.3 Use of Particles (Prepositions/Postpositions) 3.1.4 Adjectives 3.1.5 Passive Voice 3.1.6 Negative Form 3.1.7 Noun Phrases Indicating Ownership 3.1.8 Position Marking 3.1.9 Special Character Pronunciations 3.1.10 Numbers 3.2 Advanced Grammar Rules 3.2.1 Emotion Sound Keeper Definer Syntax 3.2.2 Double Register of Emotion Sounds 3.2.3 Binasphere 3.2.4 Emotionless Sentences 4 Grammar (Pastalia Hymmnos) 4.1 Word Usage 4.2 Basic Structure 4.2.1 Object 4.2.2 Particles (Prepositions/Postpositions) 4.2.3 Emotion Verbs 4.2.4 Emotion Vowels 4.2.5 Subject Definer 4.2.6 Subject 4.2.7 Noun Phrases That Indicate Ownership 4.3 Advanced Grammar Rules 4.3.1 Function 4.3.2 Emphasis 4.3.3 Passive voice 4.3.4 Desirative Form 4.3.5 Negative Form 4.3.6 Quotation 4.3.7 And 4.3.8 Bare Verb 4.3.9 Verb treated as subject 4.3.10 Verb Used as Object 4.3.11 -za Suffix 4.3.12 One Subject With Multiple Verbs 4.3.13 Xc=ABC -> XYZ/. 4.3.14 <-x 4.4 Unknown Grammar Mechanisms and Corrupted Pastalia Hymmnos 5 Dialects 5.1 Central Standard Note (Standard Dialect) 5.2 Cult Ciel Note (Ancient Language From Before the First Era) 5.3 Cluster Note (Cluster Area Language) 5.4 Alpha Note (Origin Spell) 5.5 Ancient Metafalss Note (Sacred Language from the First Era) 5.6 New Testament of Pastalie (Pastalia Dialect) 5.7 Moon Singing of the Story Previous to the Notes (Risshizentsukuyomi) (Ancient Language From Before the First Era) 5.8 Corrupted Pastalia Hymmnos 6 Lexicon 7 Reference 8 Credits

[edit] Origins

Hymmnos is derived from a language used by the Tsukikanade, an ancient line of shamans who invoked magic through spell casting. Only two dialects from that language have survived to this day: Cult Ciel, which is still in use even though most of it has been forgotten; and Risshizentsukuyomi, which has very few speakers and grammatical rules that are still unknown to us.

Some time after the first tower of Ar tonelico was built, the people in charge of that project took the language of the Tsukikanade and optimized it for use with controlling the Tower and its communications. More details about the story of individual dialects can be found in the dialects section of this article.

[edit] Writing

Hymmnos text is comprised of glyphs whose designs were based partly on those used by the Sanskrit language. It also adds a number glyphs that look like sound waves.

According what is currently known about the origins of Hymmnos, each letter has its own power and meaning, which take effect as soon as the letter is pronounced. Those meanings belong to the Risshizentsukuyomi dialect whose grammar remains a mystery, however, so it's not known as to how the connected letters actually work.

The following table lists the effects that each letter is known to have. Letters whose effects are still unknown feature a "-" under Power/Meaning column in order to avoid confusion with the meanings of other letters.

Letter	Power/Meaning	Letter	Power/Meaning
A	Power	N	Nothing, empty, emptiness
B	World	O	Evil, wicked, dark
C	Grow/Raise	P	-
D	Darkness	Q	Ignorance
E	Love	R	Life
F	-	S	Request, wish
G	Destruction, curse, punishment	T	I, myself
H	Fire	U	Hatred
I	Holy	V	Joy
J	Unknown/Yet to be known	W	Mind, soul, heart
K	-	X	Protection, protect
L	-	Y	Light
M	Compassion	Z	God, gods

[edit] Grammar (Standard Hymmnos)

[edit] Basic Structure

Hymmnos was designed with the purpose of stating the speaker's (or singer's) emotions, so most sentences begin with a set of three words called "emotion sounds".

Let's look at an example:

Was yea ra chs hymmnos mea

(I will be glad to turn myself into a song)

The first three words, "Was yea ra", are emotion sounds. They are are subdivided into three levels:

Was is Level 1, used for expressing the intensity of the emotion.

yea is Level 2, which names type of emotion being felt.

ra is Level 3, and expresses whether you want the emotion to last, or describes the context in which the emotion is felt.

All known emotion sounds are listed in the following table:

Intensity	Type	Desire to Last or Context
Rrha - Trance state Was - Very much Wee - Fairly Fou - A little Ma - One's presence of mind Nn - Lethargy, unconscious state	i - Impatience yea - Happiness waa - Happiness paks - Excitement, nervouseness num - Nothing ki - Concentration wol - Fervor, rush apea - Immersed in happiness au - Sadness granme - Wishing to protect someone, courage touwaka - Wishful, hiding wishes quel - Earnestness, despair yant - Scared, terrified guwo - Resentment, anger, hatred jyel - Loneliness zweie - Sincerity, hiding decisions	ga - I want this to end soon ra - I want this to last erra - I want this to last eternally wa - It doesn't matter, I will accept the current situation gaya - I will never feel like that again gagis - I'm all right like this

The rest of the basic grammar is very simple. It follows this structure:

(verb) (object) (compound or object)

Returning to our earlier example, chs (to turn into) is the verb, hymmnos (song) is the object and mea (my or myself) is the compound-or-object.

Was yea ra chs hymmnos mea

(Very) (happy) (I want this feeling to last) (turn into) (song) (me)

(I will be glad to turn myself into a song)

Each sentence expresses one emotion, so you can have only one set of emotion sounds per sentence.

There are no verb tenses in Hymmnos; whether a verb refers to a past, present, or future action is implied by the context of the sentence.

By this point, you might be wondering where the subject is. Well, since Hymmnos sentences are first person by default, the subject is usually omitted.

[edit] Structure with a Subject

If you wish to speak about what someone else is doing, then you have to use the following structure:

(verb) rre (subject) (verb) (object) (compound or object)

"rre" is a subject definer. The noun it precedes becomes the subject of the sentence.

The first verb in the sentence describes what you are doing, and the second verb describes what the subject is doing. The sentence is still told from a first person perspective; emotion sounds apply to the speaker even if the speaker is not the subject. No sentence can contain more than one subject, so the subject definer can only be used once per sentence.

For example:

Wee ki ra hyma rre aquagon pagle wart

(Fairly) (concentrated) (I want this feeling to last) (listen) (subject definer) (aquagon) (talk) (words)

(I will concentrate on listening to the words that aquagon says)

As a final note for this section, both the subject definer and the first verb are omitted if the subject is either a pronoun or being used as an object.

[edit] Pronouns

Pronouns can be used in two ways: as objects and as subjects. They differ slightly depending on how they are used.

Pronoun	Used as Object	Used as Subject
you you (plural) he / him they / them (masculine) she / her they / them (feminine) us / we	yor yora hes hers has hars mean	yorr yorra herr herra harr harra merra

[edit] Use of Particles (Prepositions/Postpositions)

If you need to use particles (or as we also know them, prepositions), you can insert them between the verb and the object. It's only needed if the action of the verb affects something other than yourself, though.

For example, "tes", a particle meaning "to", can be used here:

Was yea erra melenas tes ar ciel

(I will be eternally glad to give my love to this world)

But not here:

Was yea ra sonwe hymmnos mea

(I will be glad to sing my song)

[edit] Adjectives

Adjectives always come before the noun they affect, as we can see from these examples:

ridalnae sol ciel

(irreplaceable world)

tyui frawr

(small flower)

[edit] Passive Voice

If you want to change a verb into a passive voice, insert a "re" before the verb that you want to modify.

For example, prepending a "re" to the verb of this sentence:

Was ki ra gyuss lir

(I'm embracing the light)

Changes it into a passive voice statement:

Was ki ra re gyuss lir

(I'm being embraced by the light)

[edit] Negative Form

If you wish to negate a verb, just add "na" before the verb you want to modify.

For example:

Was yea ra chs hymmnos yor

(I will be glad to turn you into a song)

Can be negated by prepending "na" to the verb:

Was yea ra na chs hymmnos yor

(I will be glad for not turning you into a song)

This mechanism can also affect nouns, making them the opposite of what they would normally be.

For example:

yehah

(happiness)

Can be changed like this:

na yehah

(unhappiness, sadness)

[edit] Noun Phrases Indicating Ownership

If two nouns are placed next to each other, then it means that one noun "owns" the other. There isn't an actual rule indicating which noun owns which, however, so the direction of ownership is inferred from context.

For example:

Aurica forlinden

(Aurica's village)

revatail ciel

(Reyvateil's world)

sarla mea

(my song)

hyzik yor

(your body)

Ownership can also be indicated using the "oz" particle. When it's used, the noun that comes before it is "owned" by the noun that comes after it.

For example:

hymmnos oz faura

(song of the little birds)

sarla oz soare

(song of prayers)

[edit] Position Marking

If you want to indicate that something is inside, over, or in front of something else, you can insert a position marking particle before the noun that indicates the position. Use "ween" for inside, "won" for over, and "folten" for before and in front of. (There isn't yet a known particle for "below".)

For example:

won dor

(over the earth)

ween kapa

(inside the water)

folten forlinden

(in front of the village)

[edit] Special Character Pronunciations

These characters are used in either Hymmnos Binary or in special grammar functions that will be elaborated upon in later sections.

Character	Pronunciation
=> >> x 0 1 Xc= -> <-x	Tab Tras Ku O I Xeku Pass (S)pag

Note: The 0 and the 1 digits used here aren't the same as the ones in the numbers. These ones are used in Hymmnos Binary, and their use is signalled by this mark: #x#>>#### (replace the #s with 0s and 1s).

Hymmnos Binary is used in the execution of the programs within the Tower and in some hymns, like in this example: 0x010001110.

[edit] Numbers

• Nell - 0
• Nnoi - 1
• Ji - 2
• Dri - 3
• Fif - 4
• Vira - 5
• Ixe - 6
• Hepto - 7
• Octo - 8
• Nei - 9
• Dec/de - 10
• Hec/he - 100
• Kik/ki - 1000
• Mik/mi - 10000

The second form of the decimals is used when combining, in a manner similar to Japanese. For instance, jide is 20 and kik octohe ixede octo is 1868.

Note: Apparently, the Pastalia dialect has some variations for using numerals (Example: 5100 is pronounced Vira Nnoi Torel and 5129 is pronounced Vira Fefra Nnoi Ji Nei) but it's still unknown how they work exactly.

[edit] Advanced Grammar Rules

[edit] Emotion Sound Keeper Definer Syntax

This structure allows a single set of emotion sounds to be shared by multiple sentences. Even though it's considered an advanced grammar rule, it's actually very simple. It is used in the following way:

(emotion sounds) 0x vvi. (keeper definer start)

　　・

　(text)

　　・

1x AAs ixi. (keeper definer end)

What this means is that everything between the two keys, "0x vvi." and "1x AAs ixi.", will inherit the specified set of emotion sounds. For reference, "0x vvi" is pronounced "oku vivi" and "1x AAs ixi" is pronounced "iku aas ixi".

Here is an example:

Was yea erra 0x vvi. ("Was yea erra" will be applied from this point forward)

chs hymmnos mea

hymme rre walasye hyma mea

sonwe anw sol ciel

rre sol ciel hyma hynne mea

1x AAs ixi. ("Was yea erra" will no longer applied beyond this point)

Wee apea ra rre yor melenas

The meaning of that passage is as follows:

Was yea erra chs hymmnos mea

(I will be eternally happy to turn into a song)

Was yea erra hymme rre walasye hyma mea

(I will be eternally happy that the people hear me)

Was yea erra sonwe anw sol ciel

(I will be eternally happy to sing to the world)

Was yea erra rre sol ciel hyma hynne mea

(And I will be eternally happy that the world hears me)

Wee apea ra rre yor melenas

(I will be immersed in happiness to love you)

The important thing to note is that even though "Was yea erra" was only spoken once, it was implied four times.

[edit] Double Register of Emotion Sounds

Even though writing Emotion Sounds in a sentence when using the Emotion Sound Keeper Definer Syntax is redundant, it can be done. It's only necessary if you want to indicate a change in emotion over one sentence between two parts that share the inherited emotion. Song servers give priority to explicitly specified Emotion Sounds when processing songs that make use of the Keeper Definer Syntax.

For example:

Wee apea ra 0x vvi.

(I will be immersed in happiness)

her ar ciel irs

(I'm immersed in happiness because I exist in this world)

hyma rre faura sonwe

(I'm immersed in happiness for listening to the singing of the birds)

Was yea erra sonwe hymmnos mea

(I will be eternally happy to sing my song)

sonwe sos rre ar ciel

(I'm immersed in happiness singing for the sake of this world)

1x AAs ixi.

As written here, the emotion associated with the third sentence is "Was yea erra", while all other lines carry "Wee apea ra".

[edit] Binasphere

This is one of the most complicated grammar rules existent in Hymmnos, and it's used to sing two lines of lyrics as though they were one. (Binasphere means "two worlds" in Hymmnos, the two worlds being the two lines of lyrics combined.) Doing this gives more power to the song since a song using this technique can have two simultaneous effects.

Let's look at the process of turning the following two lines into a single Binasphere line:

Was yea ra chs hymmnos yor

(I will be glad to turn you into a song)

en chsee fwal fwal yor

(and then, I shall spread out your wings)

First, take those two lines and break them up however you wish. Individual words may be broken up into multiple pieces, too. Rewrite everything in uppercase characters and on the same line, then mark each word that was broken into more than one piece with an "x" at the end of each fragment, except for the last fragment of each word.

For this example, we've broken up and combined the lines as follows:

=> WAx EN YEx CHx A SEE RA CHS FWx HYMMx AL NOS FWAL YOR YOR

Notice how word fragments from both the first and second lines are mixed with each other? Assign each fragment a number: 0 for fragments that originally came from the first line, and 1 for fragments that originally came from the second line:

=> WAx EN YEx CHx A SEE RA CHS FWx HYMMx AL NOS FWAL YOR YOR
    0  1   0   1  0  1  0   0   1    0   1   0   1    0   1

Use those numbers to make a Binasphere Formula for this song. Binasphere Formulas look like this:

EXEC hymme 2X1/0>>formula

The word formula should replaced with the string of numbers that we got after assigning 0s and 1s to each fragment. Following our example above, the formula for this case would be:

010101001010101.

And thus, the Binasphere Formula for this example is:

EXEC hymme 2X1/0>>010101001010101.

The formula is always placed at the end of the song, and a song can't have more than one Binasphere formula. If you want to use the Binasphere format again in the same song, then your lyrics will have to be adapted to work with the first formula. The => (pronounced "Tab") is used to mark the point at which the Binasphere lines begin:

Let's use the following set of lines from EXEC_NULLASCENSION/. in an example of how to decode a set of Binasphere lines:

=> RRHA RRHA GUWO Ax GAx PEx GIS A GAx TIE INNx

GIS NA GRAN GAx PAUL NOx TYUNY INI SAASH AR YANJE

CIEL EN INI LA ZAx AR HHA CIEL RRHA RRHA Ax GUWO

GA PEx GAx A TYUNY RA HARx AR CIEL

TES EN YORA INI CHYET WAx SOR GAx LAx TYUNx SYE LA

FORx GANx ART SA DAL FAYx WASSA RA CIEL

EXEC hymme 2x1/0>>01101010

We have to use the formula to figure out which fragments belong to which lines. Since this Binasphere formula is shorter than the total number of fragments in lyrics, we have to keep looping the formula until we reach the end of the song. (The "/" isn't actually used, but we use it in this example to show where the formula is looping):

=> RRHA RRHA GUWO Ax GAx PEx GIS A  GAx TIE INNx
    0    1    1   0   1   0   1  0 / 0   1   1

GIS NA GRAN GAx PAUL NOx TYUNY INI SAASH AR YANJE 
 0  1   0    1   0 /  0    1    1    0   1    0

CIEL EN INI LA ZAx AR HHA CIEL RRHA RRHA Ax GUWO 
 1   0 / 0  1   1  0   1   0    1    0 / 0   1

GA PEx GAx A TYUNY RA HARx AR CIEL 
1   0   1  0   1   0 / 0   1   1

TES EN YORA INI CHYET WAx SOR GAx LAx TYUNx SYE LA
 0  1   0    1    0 /  0   1   1   0    1    0  1 
 
FORx GANx ART SA DAL FAYx WASSA RA CIEL 
 0 /  0    1  1   0   1     0   1   0

Note: The end of the final loop has to coincide with the last fragment of the song.

After that, we need to put the fragments back together on their respective lines, as indicated by the formula.

This is how the lines look once they've been pieced back together:

First line:

Rrha apea gagis gran paul nosaash yanje en ini ar ciel

(In this delightful trance, I feel that the way will be opened, for the goddess to purify this world forever)

Second line:

Rrha guwo gagis tie inna gatyuny ini ar ciel la zahha

(In this trance of hatred, I shall tie this curse to the inside of my mind, and then, I shall purify and make advance this world)

First line:

Rrha apea ra hartes yora chyet walasye forgandal wassa ciel

(In the midst of this trance of delight, I will love your special persons, because of the festival of the world)

Second line:

Rrha guwo ga gatyuny ar ciel en ini sor gatyunla art sa fayra

(In this transient anger, I shall purify this accursed world through the flames of the hell)

[edit] Emotionless Sentences

Normally, if a sentence doesn't begin with emotion sounds, then it's implied that it has the same emotion sounds as the sentence that came before it. But if none of the sentences in a song have emotion sounds (and if the sentences aren't using the Emotion Sound Keeper Definer Syntax), then the Tower can't process it as a spell. It's accepted as a simple song instead, used only to convey feelings without a specific effect to execute. Even though a song without emotion sounds can still invoke some magical effect, the effect wouldn't be very strong.

Here is an example taken from the lyrics of EXEC_HARMONIOUS/.:

Faura yerwe murfan anw sol ciel

(The little birds chirp their feelings to the world)

Faura sonwe murfan anw sol ciel ee

(The little birds sing their feelings to the people)

Ridalnae sol ciel yanyaue manaf

(This irreplaceable world, and these precious lives)

Presia yasra lusye enclone anw omnis

(Wish that the light of love would flood from the sun and wrap everything)

Faura selena anw Metafalica

(The little birds play the song of hope)

This song was used to convey feelings to someone in the story of Ar tonelico, but not for executing functions through the Tower. It still contains Hymmnos lines expressing the thoughts of the singer, though. The end result of this song is the fusion of feelings, but since it depends mostly on the feelings of the singer, the Tower doesn't do much in response to it.

[edit] Grammar (Pastalia Hymmnos)

(All information in this section was contributed by Lazy, from the forums of A Reyvateil's Melody.)

[edit] Word Usage

Words from Standard Hymmnos can be used in Pastalia sentences, but if a word with similar meaning exists in the Pastalia vocabulary, then it's more commonly used.

For example: "rawah" (from Pastalia Hymmnos) and "frawr" (from Standard Hymmnos) both mean "flower", but "rawah" is used more often in Pastalia sentences since Reyvateils feel more "natural" when using a word from their own dialect. The exception is the verbs: verbs from Standard Hymmnos can never be used in Pastalia sentences.

On the other hand, Pastalia words cannot be used in Standard Hymmnos sentences, except in dual-server songs with the EXEC_over.METHOD or EXEC_with.METHOD prefixes.

[edit] Basic Structure

Pastalia is designed on the concept of expressing as many meanings and emotions as possible with as few words as possible. The simplest Pastalian sentences can be formed from just one word, which is an "emotion verb". This type of verb is the basis for the Pastalia dialect's design; no sentence can be complete without it. There will be a whole section dedicated to emotion verbs later on, as it's very complicated.

For now, let's look at the simplest example ever:

hEmmErYE/.

(I will gladly sing)

As with standard Hymmnos, the default subject of a sentence is "I". All Pastalia sentences end with /. Although it's actually a syntactical element for putting the given sentence into operation in a similar fashion to hymn names like EXEC_XYZ/., let's say that it is the normal "dot" at the end of each sentence for simplicity's sake. If it's way too emotional, you can replace "/." with "!". If it's a question, use "?" in place of "/."

All Pastalia sentences must express the speaker's emotion towards the matter mentioned in the sentence. The exception to that rule is the Xc=ABC -> XYZ/. syntax, which will be explained in the advanced grammar section.

The main advantage Pastalia Hymmnos has over the Standard dialect is that you can explain multiple levels of emotions at once: your own emotion, emotion towards "you" (the person being spoken to), and emotion towards the world, all with a single verb. On the other hand, it cannot express the degree of the emotion and whether you want the emotion to last or not, as Standard Hymmnos can with its first and third emotion sounds.

[edit] Object

When you want to add an object, just add it after the verb.

For example:

hEmmErYE hymmnos/.

(I will gladly sing a song)

This is similar to English, and the reverse of Japanese.

[edit] Particles (Prepositions/Postpositions)

In cases where particles (better known as prepositions or postpositions in English) must be used, insert them after the verb and before the object. Particles are used when the result of the verb's action affects something other than yourself.

You should use a particle when saying, "give blessing to the earth", for example, but not when saying, "sing (a) song". It's a bit complex and different from both English and Japanese, but you can get used to it by seeing it a lot. This rule is common to both Hymmnos dialects.

Here is an example of using the "ut" particle, meaning "to" or "towards":

lElLYEn ut doodu/.

(I gladly give blessing to the earth)

And an example of when a particle is omitted:

hEmEmLYEr sarla/.

(I gladly sing a song)

[edit] Emotion Verbs

At a first look, words like hYEmmEr or fOwOrYUn look like crazy strings of letters from someone typing with the Shift key held and released rapidly. In actuality, all emotion verbs are made from 2 components.

The first component is the "base verb", which look like these: h.m.m.r., f.w.r.n., a.u.k., c.z. It consists of two or more lower case letters with a dot "." called "bank period" in between each character. A base verb is a complete word and has meaning, but it does not contain any emotion (and Hymmnos is all about expressing emotion).

The second component is the "emotion vowel", which are those upper case letters you see in emotion verbs. Their function is to express the emotions associated with the action of the verb.

Whenever a base verb has at least one emotion vowel, it becomes an emotion verb. Just replace a bank period with an emotion vowel. All other unused bank periods in the base verb are removed.

From left to right, bank periods are called "bank 1", "bank 2"... The smaller the bank number, the higher degree of emotion. In other words, from left to right, the degree of emotion decreases.

For example:

h.m.m.r. (base verb: to sing) +

E (emotion vowel: happy) +

A (emotion vowel: strength/concentration) =

hEmmrA (I gladly sing with my strength)

(But my happy feeling is higher than my concentration feeling)

Now add /. to the end and you have a complete sentence, "hEmmrA/.", which means "I will gladly sing with my strength".

When an emotion vowel is repeated, that means that the feeling is multiplied (hEmEmrA means that I'm much happier than hmEmrA).

"x." is a special verb, known as the "subject definer". It's used when the subject of the sentence is not the speaker/singer, and will be explained in a later section.

Finally, there are cases when base base verbs are used in sentences, such as when verbs are used as part of the object or subject. This is a very annoying, advanced grammatical rule that will be explained later.

[edit] Emotion Vowels

Emotion vowels express the subject's emotional state when performing the action described by the base verb. (The subject may be either the speaker/singer, or another subject defined in the sentence.) They are divided into 3 groups called "Levels".

Level 1: Emotion vowels that express the subject's own feeling.

Level 2: Emotion vowels that express the speaker/singer's feeling towards the target being spoken to (usually "you, the audience listening to this story"). This "you" is from the speaker/singer's perspective, which may not be the same as the subject's perspective.

Level 3: Emotion vowels that express the speaker/singer's feeling towards the people of the world (from now on known as "this world").

Here is a list of all emotion vowels and their meanings:

Subject	Audience	World
A - Strength, concentration, doing one's best. I - Pain, agony, fear, feeling of wanting to run away. U - Sadness, worry, (sometimes means caring too). E - Happiness, pleasure. O - Anger, malice. N - Absent-mindedness, relaxation, (sometimes means negative).	YA - Your feeling. YI - Your suffering, your pain, your death. YU - Your sadness, your anxiety. YE - Your happiness. YO - Your anger. YN - Your calmness.	LYA - This world's feeling. LYI - This world's pain, this world's destruction. LYU - This world's sadness, this world's tension. LYE - This world's happiness. LYO - This world's anger, this world's madness, this world's fighting. LYN - This world's calmness, this world's stillness.

As you can see, with the exception of the difference between between A and YA/LYA, they are mostly the same. Level 1 vowels have different meanings when used with "x." (the subject definer), however, and those will be explained in a later section.

In addition to expressing the emotions of the subject, emotion vowels also indicate the target that's receiving the result of the action, provided that the target is either "I", "you" or "this world". This is quite hard to explain, so let's look at a few examples.

Example 1:

Standard Hymmnos:

Was yea ra chs hymmnos mea.

Pastalia dialect:

cEzE hymmnos/.

They both mean, "I will happily turn (myself) into a song". The "mea" in the Standard Hymmnos sentence refers to means "me", the target of the verb "chs" (turn into). But we don't see that in the Pastalia version because the two "E" vowels in the verb "cEzE" already define the subject as the target of the action. (Remember, though, that the subject may not necessarily be the same as the speaker/singer.)

Example 2:

Standard Hymmnos:

Was yea ra chs hymmnos yor.

Pastalia dialect:

cEzYE hymmnos/.

Both sentences mean, "I will happily turn you into a song". The "YE" means the target of the action "turning into" is "you (the person listening to this sentence)". Furthermore, it means that the action "turn you into a song" is happening for the sake of "your" happiness. So, if we translate each sentence word for word, we get:

Was yea ra chs hymmnos yor.

(very) (happy) (I want this to last) (turn into) (song) (you)

(With great happiness and wanting this happiness to last, I turn you into a song.)

cEzYE hymmnos/.

(turn into + my happiness + your happiness) (song)

(With happiness and for the sake of your happiness, I turn you into a song.)

Each type of Hymmnos features its own kind of advantage in expression. The same case is applied to level 3 emotion vowels; they, too, can indicate that "everyone" or "the world" is the target of the base verb's action.

[edit] Subject Definer

Time for the "x." to come into play. Remember that I said all Pastalia (and all Hymmnos, regardless of which dialect) sentences have the speaker/singer as the default subject? Well, now any sentence where the speaker/singer is not a subject will begin with the special verb "x.", also known as subject definer. In fact, most Pastalia lines you see in hymns and songs are this type.

Even though it's special, "x." is still a verb with only one bank period and you can insert an emotion vowel there. What it does is to express the speaker's emotion towards the matter mentioned in the sentence.

Example: xE yorr cEzE hymmnos/. (You will gladly turn into a song, and I feel happy about that)

You can only use Level 1 emotion vowels with subject definer. Their meaning is almost the same as when you use them with emotion verbs:

- A means "I feel neutral about that"

- I means "I feel jealous about that"

- U means "I feel sad/worry about that"

- E means "I feel happy about that"

- O means "I feel angry/malicious about that"

- N means "I feel negative/hatred about that"

In other words, there are only 6 subject definers to begin a Pastalia sentence where "I" is not the subject. They are xA, xE, xU, xO, xI and xN (in order from most common to least common).

[edit] Subject

Subjects in Pastalia are quite hard to understand, but once you get it you will be able to use it quite easily (unlike emotion verbs which require a lot of time to figure out).

To make things simple, I'll just list out EVERY possible situations of subject that could ever happen through examples. For a person, we'll use Lazy, and for a non-person thing we'll use "lyuma" (star). Finally, for subject definer we'll use "xA" (I feel neutral about...)

Situation 1: The speaker/singer ("I") as the subject [verb]/.

Very simple, no subject definer needed, since "I" is the default subject in all Hymmnos sentences already.

Situation 2: "You", "He", "She" as the subject xA _____ [verb]/.

Check up the pronouns table above and fill the blank with the correct pronoun for your subject.

Situation 3: A particular person or thing as the subject xA rre ______ [verb]/.

Just add the noun you need. In case of noun phrase that indicates ownership... Well I'll explain it later, in next part.

Example:

- xA rre lazy hYEmEmArA/. (Lazy sings happily)

- xA rre lyuma hYEmEmArA/. (The star sings happily)

Situation 4: "That" or "Those" as the subject

xA sorr [verb]/.

Basically the idea of the last sentence is used as the subject in this sentence... Like this (direct example from METHOD_REPLEKIA/. lyrics, but I removed the emotion parts to make it more simple)

xA harr hLYUmLYUmOrO eje/. (She sings (the song of) her heart)

xA sorr kLYUvLYUr du qejyu/. (Her singing covers all people)

There is a faster way to express this though, through an advanced grammar: verb used as subject (known as "clause" in English). I'll explain it later, as always.

Situation 5: "This" or "These" as the subject

[noun or sentence] <-x [verb]/.

This will be explained in the <-x advanced grammar part.

[edit] Noun Phrases That Indicate Ownership

Simply put, those are nouns indicating normal things with an owner, kinda like they belong to someone/something else. There are two types of noun phrases: Things belong to person/people (Lazy's star) and things belong to a non-person thing (sound of waterfall, for example).

Type 1: Thing belonging to person/people

Add an emotional vowel infront of it, making sure that its level corresponds to the grade of person/people you are trying to indicate. The type of emotion in the vowel is also the emotion the owner express when owning the thing. For definite ownership, add a level 1 vowel followed by a lower dash "_" and then the owner's name.

Example:

- Alyuma (My star, which I feel neutral about)

- YIlyuma (Your star, which you feel jealous about)

- LYElyuma (People's star, which they feel happy about)

- Ulyuma_lazy (Lazy's star, which he feel sad about)

This is the only different from how it's used in Standard Hymmnos.

Type 2: Thing belonging to a non-person thing

First noun is the "owner", second noun is the thing being owned. Example:

- zalez ale ("sound of waterfall" or "waterfall's sound")

- zodal sechel ("capital of death" or "death's capital")

- vonn papana ("rain of darkness" or "darkness' rain")

Just imagine that there is an invisible "'s" inbetween 2 consecutive nouns.

And finally, both types of "ownership" can be mixed together, but of course this can be a bit complex:

ayulsa Asiance_qejyu (People's ideal land of eternity)

[edit] Advanced Grammar Rules

[edit] Function

XXX/. -> YYY/.

This allows you to store an entire phrase as a word. However, it only works for the song in which the function is used. It can make the sentences harder to understand, but also allows to make them shorter

Example:

- colga/. -> cEzE colga sos qOgYIs/. (Ice -> I shall be happy to turn into ice to put an end to you).

Wherever "colga/." might be used from now on, it will mean the same as "cEze colga sos qOgYIs/.".

[edit] Emphasis

Putting "rre" infront of a subject that normally doesn't require it (you, he, she...) will "emphasize" the subject.

Example:

- xA rre herr hYEmmrE/. (He sings, emphasis on "he", to say that it's that person, that "him" and not anyone else)

- xI rre yorr cEzE hymmnos/. (You turn into a song, emphasis on "you", it's "you" and not anyone else who turn into a song)

You can also emphasize the subject "I" by putting subject definer (expressing what you think about your own situation), followed by "rre mea".

Example:

xU rre mea hAmmrA hymmnos/. (I sing the song with all my strength, emphasis on "I", and also express that I feel sad about my own singing)

[edit] Passive voice

Simply add "eh" after the emotion verb to change the sentence totally from active to passive voice.

Example: xU rre lazy fYUwrUn lyuma/. (Lazy embraces the star) ---> xU rre lazy fYUwrUneh lyuma/. (Lazy is being embraced by the star)

Unlike in English or Japanese, you don't need a particle to indicate the action's performer (no need to add "by" like English or change "wo" to "ni" like Japanese).

[edit] Desirative Form

When you want to say "want to do something" in Pastalia (usually more like "want to be able to do something"), add "aye" after the verb.

Example:

xA rre lazy hYEmmrEaye hymmnos/. (Lazy wants (to be able to) sing a song)

[edit] Negative Form

Adding "zz" infront of an emotion verb or a noun means the negative of it.

Example:

hYOmmrU/. (I sing) ---> zz hYOmmrU/. (I don't sing)

arhou (hope) ---> zz arhou (hopelessness, despair)

[edit] Quotation

To "quote", put your sentence in :/ and /: (looks like some sort of un-smiley face). The /: replaces the /. at the end of sentence too.

Example:

:/sYAlE yor/: ("I believe in you")

[edit] And

The word "en" can be used the same way as our normal "and". Just use it when you think it fits, or use it in the same way as the comma ","

[edit] Bare Verb

As I said, the main element of a Pastalia sentence is emotion verb, but sometimes when the action is being performed without emotion, like a machine, or in unconscious state, you can use bare verb as well, though this is uncommon. Note that if "I" is not the subject, then you still need an emotion vowel for the subject definer.

Example:

xA rre lazy h.m.m.r./. (Lazy sings without any emotion)

Note: The next kind of advanced grammar; and this one are different.

[edit] Verb treated as subject

Also known as "clause" in English. Let's say, directly from the lyrics of METHOD_REPLEKIA/. we have these lines:

xA harr hLYUmLYUmOrO eje/. (She sings (the song of) her heart)

xA sorr kLYUvLYUr du qejyu/. (Her song covers the people)

By now you should be able to understand the above 2 sentences.

Now let's say we combine them into 1 sentence... There are 2 situations, "Her singing covers the people" and "Her singing of her heart covers the people".

First situation is very easy, the "clause" doesn't contain the object "eje", and you can combine them to this:

xA harr hLYUmLYUmOrO kLYUvLYUr du qejyu/.

Note that the "xA" expresses the emotion of the main sentence, so if the second original sentence was xU sorr kLYUvLYUr du qejyu/. then the result would be:

xU harr hLYUmLYUmOrO kLYUvLYUr du qejyu/.

Second situation is a pain... I'll just give you the example result first: xA harr h.m.m.r. eje kLYUvLYUr du qejyu/.

If you add in the object "eje", you have to remove the emotion from the "hLYUmLYUmOrO" verb, to prevent mistaking information between the 2 clauses. Why remove emotion vowels from that verb, and not "kLYUvLYUr" verb? Because the latter is the main verb of the sentence, which is more important, and must have emotion.

Another example:

xN rre hLYImLYUmOrO a.u.k. zess quesa/. (Her singing is like thunder)

"a.u.k." is the "to be" verb, and "zess" means "similar to". This is your standard type of comparison sentence, in which "a.u.k." usually has its emotion removed due to it being the "to be" that usually doesn't have emotion, unless it's the main verb in sentence (Example, aEuk lazy/. means "I am (happy to be) Lazy).

[edit] Verb Used as Object

What could be worse when you want to say "I embrace her singing of her heart"? Is it fEwrEn harr h.m.m.r. eje/.? No. It is:

fEwrEn x. harr h.m.m.r. eje/.

Yes, the subject definer is used in bare form here as well. This only happen when the "clause" is used as object, and only when the subject of the clause is not "I" so that subject definer has to be used in that "clause".

Another example:

xA rre lazy fEwrEn x. harr h.m.m.r. eje/. (Lazy embraces her singing of her heart)

Even when no object is needed for the clause, you STILL need to remove the emotion vowels for the subject definer AND verb. Example:

xA rre lazy fEwrEn x. harr h.m.m.r./. (Lazy embraces her singing) (This does not mean that Lazy is a "her", we're talking about a particular "her", so please don't be mistaken)

What if it's "I embrace my singing of my heart"?

fEwrEn h.m.m.r. eje/.

But if you want to emphasize the "I" in the object clause:

fEwrEn x. rre mea h.m.m.r. eje/.

[edit] -za Suffix

This suffix turns the verb that preceeds it into a noun, allowing it to be used as a subject or noun. However, unlike the methods discussed before, it also allows the use of Emotion Vowels in it, allowing also more variety in emotional expression. The suffix can be attached to the end of the verb, or separated by a space.

Examples:

- xE harr hLYEmEmErza wEwEjLYEnEcE ut sphaela/. (I'm happy that her joyful singing resounds to the world).

(Note: This is general information took from the Settei Book, and there are some instances of the use of -za that haven't been deciphered yet).

[edit] One Subject With Multiple Verbs

I'll just give you the example, since this part it's insanely hard:

xA sorr mLYOrArA du sphaela/. (Her singing reflects this world)

xO rre mLYOtOyOyO giz wOsLYI du giz/. (Her singing creates terror, gives birth to terror)

You see, on the second sentence there are two verbs in one sentence, this is not "clause" but just a normal sentence with more than one verb, thus I add the comma "," inbetween the two verbs. You also notice (do you?) that the second sentence seems not to have a subject, after "rre" it jumps right to the first verb. Well, I can only say like this: In case of multiple verbs in a sentence, the last subject is supposed to be implied to this sentence, provided that you add subject definer and "rre" to it.

[edit] Xc=ABC -> XYZ/.

The -> is NOT the same as the one in Binasphere. Your standard "If...then..." with a small notice: Both "if" and "then" clause must have the same subject, and that must be the subject from the last sentence.

Example:

aEuk lazy/. (I am Lazy)

Xc=hLYEmYEmArA -> cEzLYE hymmnos/. (If I sing then I will become a song)

When the subject is not "I" then there won't be any subject definer on the Xc= and -> phrases, since that's carried over from the above sentence too.

[edit] <-x

There are two uses of "<-x". For the first use, let's take a look at an example from the song MIO:

zz arhou, balduo, ujes, Oqejyu, xA rre <-x aYAuAkN kajya LYAglansee qejyu/.

(Despair, darkness, malicious minds, hated people, THESE are also necessary for our hearts)

Basically, "xA rre <-x" replaces one or a couple of things you just listed out earlier. "xA rre <-x" works like "this" or "these" in English.

However, "<-x" can also be used when you want to replace a phrase, not just nouns. When you replace a phrase, put the phrase in front, then add "<-x". This is in fact the third way to combine 2 sentences that share a phrase.

Maybe an example should be better. When you want to say "I feel sad about the fact that Lazy's happily singing (a song) becomes a star" you have three methods...

- First method: Using "sorr". This forces you to use 2 sentences but also allows you to express a different emotion for each sentence.

xE rre Lazy hYEmmEr hymmnos/.

xU sorr cEzE lyuma/.

- Second method: Treat the phrase "Lazy's singing a song" as a verb.

xU rre Lazy h.m.m.r. hymmnos cEzE lyuma/.

- Third method: Using "<-x".

xE rre Lazy hYEmmEr hymmnos <-x cEzE lyuma

I hope the example is easy enough to understand. Take note that the subject definer in the second method is "xU" while the third method is "xE". They only express either emotion from either original sentence.

The above example is actually complex since the subject of the first sentence is not "I". Another easier example: "My happily singing (a song) becomes a star".

hYEmmAr hymmnos <-x cEzE lyuma/.

Unfortunately, due to the limit of the "<-x" grammar, you cannot express your feeling about the fact in the sentence (so "I feel sad about my..." and "I feel happy about my..." are the same when you use this type of grammar).

[edit] Unknown Grammar Mechanisms and Corrupted Pastalia Hymmnos

These are grammar mechanisms that are still unknown, but still posted in here, so if anyone it's interested can help us reach a solution.

xYE and RYE

From the song MIO:

xYE rre qejyu dYEnA ouce LYEqejyu/.

xN rre pupe YUzz tYUrUm naflansee sarsa ut RYEqejyu/.

xYE??? What in the world is it? And RYE? Does it have any relation to LYE?

ygulatiaznouongauvdejuyygulatiaznouongauvdejuy

A line from ee wassa sos yehar. I die upon seeing it.

Awiaa_vamuebyuiujesbOsYlmdnhyungxL YlvO!xL YlvO!!xL YlvOgzavamue!

Awiaa_vamue byui ujes bOsYlm dn hyung xLYI vO! xLYI vO!! xLYI vOg za vamue!

Tons of unknown words and verbs. xLYI? vO? They should, at the very least, spend about 5 minutes adding the translation to the CD insert lyrics...

wAssEzzurgnwAssEkieghlwAssEhiewwAssEzodalsphaela!!

wasse zz urgn wasse kieghl wasse hiew wasse zodal sphaela!!

(Praise for no laments! Praise for kieghl! Praise for sadness! Praise for this dying world!!) ("kieghl" is still an unknown word)

That's how aquagon handled this sentence. Yes, I'm absolutely sure the translation is correct, but seeing that all other lines are Pastalia, this line must be Pastalia as well, not standard Hymmnos, especially with the upper case letters which definitely indicates emotional vowels.

[edit] Dialects

The origins of Hymmnos and the Hymmnos script are ancient, and existed before the father of Sound Science discovered the [Sound Magic] in the First Era. It was not yet called [Hymmnos] at that time, but the incantations that all sorts of shamans used, called [Tsukikanade (Moon Chanters)] in those days, became the origins of Hymmnos. Hymmnos was later formalized as a language optimized for control of and communications with the tower, but its grammar and vocabulary sounds are based in the incantations of these shamans. The generic Hymmnos that spread throughout the world from there subtly changed format depending on the region and sect, and the vocabulary also steadily altered as history progressed. Therefore, archaisms, dialects, and so forth also exist in Hymmnos, just as they do in Japanese and other languages.

The dialects are called "Notes", which comes from the musical terminology (based on the "twelve notes tuning method"), for easier understanding and recognition.

These are the Hymmnos dialects that are still in use during the present, the Third Era:

• Central Standard Note (Standard Dialect)
• Cult Ciel Note (Ancient Language From Before the First Era)
• Cluster Note (Cluster Area Language)
• Alpha Note (Origin Spell)
• Ancient Metafalss Note (Sacred Language from the First Era)
• New Testament of Pastalie (Pastalia Dialect)
• Moon Singing of the Story Previous to the Notes (Risshinzentsukuyomi (Ancient Language from Before the First Era))
• Corrupted Pastalia Hymmnos

[edit] Central Standard Note (Standard Dialect)

[Central] refers to the First Tower [Ar Tonelico], called the core of Song Magic in the First Era. In other words, the incantations optimized to control the Tower are called Central Standard Note. However, this is not to say that only this Central Pure Note can control it, and in practice it is possible to control it using any Note. That is to say, Central Standard Note is nothing more than the format that the tower administration in Sol Ciel's capital city [El Elemia] decided upon as a global standard (like the ISO standard on Earth).

As a result, everything standardized from each [Note] becomes [Central Standard Note], so everything acknowledged in lookups and so forth is all written as Central Standard Note. Central Standard Note and other forms thus often exist mingled together.

[edit] Cult Ciel Note (Ancient Language From Before the First Era)

This Cult Ciel Note is itself a refined form of the spells of the shamans, the [Moon Chanters/Tsukikanade], and is the origin of Hymmnos. It has largely been forgotten in modern times, and it can be said that this line of vocabulary scarcely remains.

[edit] Cluster Note (Cluster Area Language)

Passed down and established during the First Era in the Sol Cluster region, a region far away from the Sol Ciel region (on the opposite side of the planet), is the [Cluster Note]. From the standpoint of Central Standard Note, it is a [dialect] of sorts, but the practical effect is scarcely different. At present, there are said to be none in the vicinity of Ar tonelico who can use this [Cluster Note], but somewhere in the world, a colony centered on Cluster Note might exist even in the present day.

However, the Sol Cluster people despised the people from Sol Ciel, and apparently, they created this dialect as a response to the creation of the powerful Central Standard Note. Probably it was created with the purpose of surpassing the faculties of the Central Standard Note, but since there aren't any speakers and it isn't used in Sol Ciel, or in Metafalss, the exact details are unknown.

[edit] Alpha Note (Origin Spell)

The [Reyvateil Origins], of which there are said to be only three in the world, can put together optimized Hymmnos terms in their own minds. Terms formed like this are called [Alpha Note]. This Alpha Note is somewhat troublesome in that it is unable to produce maximal power if not used with the tower that Origin manages. That is because, in contrast to the way the other [Notes] put together terms that are within the current specifications of the tower (strictly speaking, Reyvateils just pick out terms that are already present), this Alpha Note alone expands the receiving tower's functionality and creates a Hymmnos term to deal with it. In other words, in her own tower exists the functionality to handle that term, but it is an invalid term on other towers lacking this, and is thus naturally not general-purpose.

(For example: the Chronicle Key Hymn is an Alpha Note, Eolia Genus word, meaning that it was crafted in the first Ar tonelico Tower, managed by the Origin Eolia, and is unusable in the other Towers because these Towers don’t have any of the sealing mechanisms or programs that the hymn needs to be executed.)

[edit] Ancient Metafalss Note (Sacred Language from the First Era)

A unique Note invented in the early First Era by the holy land of [Metafalss] that dominated the world back in the time of the 2000s. The power that one woed holds far exceeds the average value for Central Standard Note words. The reason they produced such high-powered Hymmnos terms is said to be in their land. In this land, spiritual ideology thrived more than in other regions, and the study and development of songs through thanks to the Moon Chanters was extensive. For that reason, even as other regions were reaching the limits of song power, they overcame these little by little, training themselves to craft yet stronger songs, then refining and improving them.

For better or worse, the influence of their spiritual ideology meant that even as other regions began studying the songs scientifically, and discovered the importance of the entonation and emotions in the songs, the spiritual thinking of the Moon Chanters lived on even then, and the civilization rapidly started rolling back after entering the 3000s because of that. Though thanks to the diplomatic relations with Sol Ciel, the Metafalss Note came to be registered on Song Magic servers.

[edit] New Testament of Pastalie (Pastalia Dialect)

A new dialect created in the land of Metafalss around the year 3400. This was created for [Infel Phira], a different Song Magic server from [Ar tonelico], and only the I.P.D.s(Infel-Phira Dependant), the Reyvateils linked to that server, can use this dialect. Thanks to its special characteristics, its compatibility with the other dialects is almost zero, from grammar to vocabulary. The execution commands are thus also changed into the unique declaration [METHOD_XXXX/.], instead of the [EXEC_XXXX/.] one. However, in practice, other forms are also generally available through emulation. They are translated into New Testament of Pastalie within Infel Phira, but on the user level, it is possible to use [Central Standard Note], for example, without modification.

The grammar differs entirely from the other Hymmnos formed in the First Era, so a separate grammar guide has been prepared. It should be consulted as well.

[edit] Moon Singing of the Story Previous to the Notes (Risshizentsukuyomi) (Ancient Language From Before the First Era)

It’s an ancient dialect, and it’s the Moon Chanter language itself. For those reasons, isn't considered as a Hymmnos dialect by some. Supposedly, its grammar was based on the unification of [Pronunciation (letters)] and meanings, where each letter had a meaning and effect. Since the extent of its effects are very small, the majority of the Reyvateils don't support (understand or speak) this dialect.

There is no deeper info about its history, grammar and syntax available yet.

[edit] Corrupted Pastalia Hymmnos

There isn't any information available yet. Unofficial name.

[edit] Lexicon

Hymmnos	Word class	Meaning (J)	Meaning (E)	Dialect
a.u.k.	E.v.	be動詞に相当	be	Pastalia
accrroad	v.	あげる　与える	give, send	Central
acra	adv.	きっと、確かに	surely, certainly	Central
adyya	n.	今日・本日	today	Central
afezeria	v.	祝福する	bless	Central
ag	conj.	そして、～と	and	Pastalia
aiph	conj.	もし～ならば	if	Central
aje	adj.	新しい	new	Pastalia
akata	n.	物語	story	Central
ale	n.	音	sound	Pastalia
alroen	n.	証	Proof, testimony
alroetsue	adj.	贖いの、償いの	of atonement, of recompense	Ancient Metafalss
ammue	n.	音、（音の）波動	sound, sound waves	Cult Ciel
an	adv.	～と共に	together	Central
anw	prep.	～を	(direct object marker)	Ancient Metafalss
apea	E.s. (II)	幸せでぽわー	immersed in happiness	Cult Ciel
ar	adj.	唯一つの	only, unique	Central
araus	v./n.	取替	exchange
arhou	n.	希望, 恩恵	hope, wish, blessing	Pastalia
arrya	n.	矢	arrow	Central
arsye	v.	分け合う	share	Central
art	conj.	～によって	because of, by means of	Central
ates	v.	受け入れる	accept, receive
aterra	v./n.	受け入れる	accept, receive
au	E.s. (II)	悲しい	sad	Alpha (Eolia)
aulla	v.	開く、開放する、開示する、明かす	open, disclose, reveal	Central
ayulsa	n.	永遠, 永遠に、ずっと続く	eternity, for the eternity, continues forever	Pastalia
balduo	adj.	暗い、暗黒の、見えない, 闇	dark, of darkness, unable to be seen	Pastalia
bale	n.	玉	ball, jewel	Central
bansh	v.	（荒々しく扉などを）開く	(violently) open (a door etc.)	Central
basilic	n.	大砲	gun, cannon	Central
bautifal	adj.	美しい、綺麗な	beautiful	Central
beja	v.	汚す	dirty, defile	Cult Ciel
beng	conj.	以前　（時間的に）前	before (time), ago	Central
bengnuih	n.	夕刻　夕方　黄昏れ	evening, dusk	Central
bexm	v.	（時間が）来る、訪れる	come (time)	Central
biron	v.	続く	continue	Central
bister	n.	獣　野獣	beast	Central
boches	n.	口	mouth	Central
boh	adj.	爆発的な、超常的な	explosive, supernatural	Ancient Metafalss
brinch	n.	枝	branch	Central
briyante	n.	歓喜の声、喜びの声	voices of delight, voices of joy	Ancient Metafalss
burle	adj./n.	青　青い　蒼	blue	Central
byui	conj.	糾弾	blame, cause of	Pastalia
ChronicleKey	n.	ヒュムノス・クロニクルキー	Chronicle Key (a hymn)	Alpha (Eolia)
c.z.	E.v.	変化する	transform	Pastalia
cause	v.	呪う、苦しめる	curse, torment	Ancient Metafalss
cecet	n.	盾	shield	Central
ceku	n.	友・友人・同士・同胞	friend, comrade, companion, comrade	Pastalia
celetille	adj.	鮮やかな、新鮮な、美しい、綺麗な	vivid, clear, fresh, beautiful	Central
celle	adv.	天高く	heavenly	Central
cenjue	v.	変化する、変える、変更する	change, transform	Ancient Metafalss
cerchio	n.	可能性	possibility	Central
cest	adj./n.	真実の、真の、本当の、真実	of the true, true, real, truth	Central
cexm	v.	（人や物が）来る、訪れる	come (person), visit	Central
chanti	n./v.	褒める、賞讃する、賞賛	praise, reward	Central
chess	n./v.	接吻する	kiss
chiess	n./v.	キスする、口づけする、キス	kiss	Central
chs	v.	～になる	become	Central
chsee	v.	～に変化する	transform into ~	Central
chyet	adj.	選ばれた、特別	chosen, particular	Cult Ciel
cia	n.	空	sky	Pastalia
ciel	n.	空、（意訳で）世界	sky, (translated usually as) world	Central
ciellenne	n.	天空	the skies	Central
clalliss	n./v.	色、色をつける	color	Central
clamour	n.	膝	knee, lap	Central
clare	adj.	透明な　透き通った	clear, transparent	Central
clemenzen	adj./n.	狂気、気が触れた、狂った	insane, insanity	Central
clyncye	n.	純粋、無色	purity, colorlessness	Cult Ciel
colga	n.	氷	ice	Central
colgen	v./adj.	凍った	freeze, frozen
crannidale	v.	分かち合う	share, (possible alternate translation) believe	Ancient Metafalss
cremia	v./n,	救済	salvation
crown	n.	杯	cup (for beverages)
crudea	n.	苦しみ、苦悩	anguish, suffering	Ancient Metafalss
crushue	v.	紡ぐ	spin (fabric), (translated usually as) craft	Ancient Metafalss
cupla	n.	罪	sin	Central
cyuie	adj.	切ない、悲しい	sad, sorrowful	Central
cyurio	n.	理、秩序	reason, logic, order	Central
Dia	n.	王、王座、玉座、支配者	king, throne, ruler	Central
d.n.	E.v.	踊る	dance	Pastalia
d.n.g.	E.v.	穿つ	pierce	Pastalia
d.r.s.n.	E.v.	伝えられている	handed down, passed down, passed on	Pastalia
d.s.s.n.	E.v.	解決を求める	accept the atonement	Pastalia
d.z.	E.v.	死ぬ	die	Pastalia
daedu	n.	醜いもの	eyesore, something ugly	Pastalia
dand	n.	ドア	door	Central
dauan	n.	夜明け	dawn	Central
dauane	adj.	夜明けの	of the dawn	Central
dazua	n./adj.	闇	darkness, dark	Pastalia
deata	v.	裁かれる、裁きをうける、断罪される	judge, convict, administer judgment	Cult Ciel
deggeez	v.	裏切る、背く	betray, disobey	Central
degle	v.	滅ぼす	destroy, overthrow, ruin
dejuy	n.	贖罪	atonement	Pastalia
deleir	n.	災い、禍、災厄	calamity, disaster	Alpha (Eolia)
delij	v.	嫌う、嫌がる、疎む	hate, shun, neglect	Alpha (Eolia)
den	conj.	しかし、でも、けれど、～だが	however, but, still, and yet	Central
denera	n.	悪しきもの	evil one	Central
der	prep.	～で、によって	according to, by means of	Ancient Metafalss
desfel	adj./v.	嫌い、厭、厭う、いやがる	hate, dislike, detestable, unpleasant	Ancient Metafalss
Despedia	n.	ヒュムノス・デスペディア	Despedia (a hymn)
dewee	v.	跪け	kneel
dgal	n.	国	country, land	Pastalia
dhezeall	n.	虜囚、虜、捕らわれ人	captive, prisoner	Ancient Metafalss
diasee	n.	神の子	child of God	Ancient Metafalss
didalia	adj.	大きい	large	Cult Ciel
dilete	n.	神の息吹　神の加護　(詩魔法の効能は防御とステータス上昇)	God's breath, God's divine protection (Song Magic effects is defense and status increases)	Central
discest	v.	偽る・偽装する・騙す・偽り	lie, cheat, trick	Central
dius	adj.	尊い、神々しい	divine, sacred, precious, valuable, sublime, solemn, noble	Cult Ciel
diviega	n., adj.	聖なる剣、(転じて)偉大なる叡智	sacred sword, (derivative meaning) great wisdom	Cult Ciel
dje	n.	体	body	Pastalia
dn	p.	～で	(instrument/location/cause/time marker)	Pastalia
doodu	n.	大地	ground, earth	Pastalia
dople	v.	排除する	remove, exclude, reject	Central
dor	n.	大地、大陸	ground, continent	Central
dorn	n.	木	tree, wood	Central
dornpica	n.	木の実	nut, fruit, seed	Cult Ciel
dralee	v./n.	供物	Offer, offering
drone	v.	ダウンロード、取り込む	download, take in	Central
dsier	n.	欲望	desire	Central
du	p.	～を	(direct object marker)	Pastalia
dyya	n.	日（英語のDay）	day	Central
dyyal	n.	～日目	days (counter suffix)	Central
eazas	adj.	互いに	mutually	Central
echrra	v.	共鳴する	resonate	Central
ee	v.	偉大なる、讃える	exalt, praise	Ancient Metafalss
eetor	n.	向こう側	other (side/person)	Central
eje	n.	心、気持ち	heart, mind, feeling	Pastalia
elle	prep.	～から、～よりの、～より	from, out of	Central
elye	adv.	未だ、まだ	hitherto, yet	Pastalia
en	conj.	そして、～だから、～ために	and, because, for	Central
enclone	v.	包み込む	wrap up	Ancient Metafalss
endia	v.	止める、終わらせる	stop, end	Ancient Metafalss
ene	v.	思う、感慨深くなる	think, feel deeply	Cult Ciel
enegd	v.	痺れる	become numb	Central
enerel	adv.	ずっと	always, forever	Cult Ciel
enesse	n.	想い	emotion	Cult Ciel
engassya	n.	生け贄	sacrifice
enne	n.	祈り、願い（いい意味）	prayer, request (with good intentions)	Central
enrer	adv.	常日頃から、いつも	always, usually	Cult Ciel
enter	v.	～に入り込む	enter ~	Central
enw	conj.	～しながら	while doing ~	Central
erra	E.s. III	永遠にこのままでいたい	I want this to last eternally	Central
ess	prep.	～で	(instrument/location/cause/time marker)	Pastalia
et	adj.	大きい	large	Central
eta	v.	食べる	eat	Central
etealune	n.	永遠、永久	eternity	Ancient Metafalss
eterne	n.	永遠、永久	eternity	Alpha (Eolia)
eux	n.	目	eye	Central
exec	v.	実行する	execute, put into practise	Central
ewle	adj.	長い	long
exali	adj.	眩しい	radiant, dazzling	Pastalia
Fou	E.s. I	ちょっと	A little	Central
f.p.n.	E.v.	降りしきる	downpour	Pastalia
f.r.l.	E.v.	怯える	be frightened	Pastalia
f.s.	E.v	囁く	whisper, murmur	Pastalia
f.w.r	E.v.	受け入れる	accept	Pastalia
f.w.r.n	E.v.	包みこむ	surround, enfold	Pastalia
faf	adj.	怖い	scary, frightening	Cult Ciel
faja	v.	進む	advance, make progress	Cult Ciel
faiy	adj.	刹那の	momentary, transient
falfa	n.	安寧	peace
famfa	v.	はばたく	fly, flap wings	Central
fanalea	adj.	高らかに	loudly, sonorously
fandel	adj.	数多の、幾多の	many, in great numbers	Ancient Metafalss
fane	n.	慈愛	affection, kindness, love	Central
fatele	n.	父	father	Ancient Metafalss
fatere	adv.	さもなくば・そうしなければ～でしょう	if not ~ then probably ~	Central
fau	n.	鳥	bird	Ancient Metafalss
faura	n.	小鳥、幼い鳥	small/baby bird	Ancient Metafalss
fayra	n.	火、炎	fire, blaze	Central
fedyya	n.	明日	tomorrow	Central
fee	n.	風	wind
ferda	v.	宿る	dwell, live in	Ancient Metafalss
fernia	v.	微笑む	smile	Cult Ciel
fhyu	n.	風	wind	Central
firle	v.	感じる	feel, sense	Ancient Metafalss
firanzia	n.	世の終焉	end of the world
flare	v.	浮かぶ　浮く	float, suspend (in the air)	Central
flip	v.	ひっくり返る、フリップフロップ転送コマンド	reverse, command for flip-flop conversion	Central
fluy	n.	泉、湧水	spring, well	Central
focs	adj.	深い	deep, thick
fogabe	v.	許す	forgive, allow, pardon	Central
folten	prep.	前　（位置、方向を指す）	before (position/direction), in front of	Central
forgandal	Con.	なぜならば！	Because of...!	Cult Ciel
forlindel	n.	村長の一族	head family of a village	Cult Ciel
forlinden	n.	村	village	Cult Ciel
foul	n.	不思議、神秘	wonder, miracle, mystery	Cult Ciel
fountaina	v.	覆う、満たす、埋める	fill up, cover, hide	Central
fowrlle	v./n.	慰める、癒す、慰安	comfort, heal, relaxation	Central
frawr	n.	花	flower	Central
frawrle	n.	春	spring (season)	Cult Ciel
frissoner	v.	震える	shiver	Central
frreie	v.	解き放つ	release
fs	n.	そよ風	breeze (when it has an "E" emotion vowel in front, its meaning changes to "whisper").	Pastalia
ftt	v.	消える	vanish	Central
fulual	v.	叶う	come true (wish)	Central
fusya	v.	包む	wrap	Central
futare	n.	未来	future	Central
fwal	n./v.	翼, 進める, 運ぶ	wing, advance, transport	Cult Ciel
fwilla	n.	雫	drop, droplet
fwillra	n.	羽、羽毛、ひとひら	feather, plumage, petal	Cult Ciel
g.k.n.	E.v.	たべる	eat	Pastalia
g.v.w	E.v.	戦う	fight, battle	Pastalia
g.w.f.r.	E.v.	裁く	judge	Pastalia
ga	E.s. III	はやく脱したい	I want this to end soon	Central
gagis	E.s. III	自分はどうなってもいい	I'm all right like this	Ancient Metafalss
ganna	adj./n.	固い、頑なな、堅牢な、石、岩	strong, stubborn, solid, stone, rock	Central
garlden	n.	町	town
gasar	n.	ぬいぐるみ	doll, stuffed animal	Pastalia
gat	n.	呪い	curse	Central
gatyunla	n.	呪いの地、地獄	cursed land, hell	Cult Ciel
gatyuny	n.	呪い	curse	Cult Ciel
gaunji	v.	苛む	torment, torture
gauv	n.	罪、咎	sin, blame
gauzewiga	v.	絶望する	despair	Ancient Metafalss
gaya	E.s. III	二度と先の状態に戻りたくない	I never want to go back to how I was before	Central
geeow	n./v.	誓い、誓う、決意(する)	oath, vow, resolve	Central
getrra	adj.	汚れた	dirty, impure	Central
gigeadeth	adj./n.	鋼鉄の、鉄	steel, iron	Central
giue	n.	体	body
giz	n./v.	恐怖	fear, dread, terror
gkgul	adj.	ひび割れた	cracked	Pastalia
glansee	adj.	神々しい、偉大な	divine, exalted (adding "LYA" before it changes its meaning to "God").	Pastalia
glasden	adj.	最高	highest, supreme, most	Ancient Metafalss
goa	conj.	～だけ	only ~	Pastalia
got	v.	手に入れる	get, obtain	Cult Ciel
gott	v	離れろ！退け！（汚い感じ）	Get off! Go away! (dirty feeling)	Central
govan	adj.	激しい	violent, excited, vehement, intense	Pastalia
govaz	n.	許嫁	fiancee	Cult Ciel
gral	adj.	全て	all of, entire	Pastalia
gran	v.	幕を開ける	open the curtain	Cult Ciel
grandee	n.	守護者	guardian	Ancient Metafalss
grandus	v.	護る	defend, protect	Ancient Metafalss
granme	E.s. II	心に勇気を抱く　護りたいと想う	Wishing to protect someone, courage	Central
grave	n.	山奥、建物などの奥	mountain recesses, interior (of a building, etc.)	Cult Ciel
grlanza	v.	踊る	dance	Central
grrena	adj./n.	緑　緑色の　碧	green	Central
grruw	v.	育つ	raise, grow up	Central
guard	n.	守り、防御	protection	Central
guatrz	n.	怒り、憎悪	anger, hatred	Central
guaysu	v.	うつむく	hang one's head (in shame, etc.)	Central
guol	v.	（扉などを）閉じる	close (a door, etc.)	Central
guwo	E.s. II	怒る　憤り	anger, resentment	Central
gyaje	n.	過ち	error, mistake	Central
gyajlee	n.	罪人	criminal, sinner	Cult Ciel
gyas	n.	悪霊、悪い成分	evil spirit, bad component	Central
gyen	v.	紡ぐ、（魔法を）生み出す	spin, craft, create magic	Cult Ciel
gyenel	n.	魔道士	wizard, mage, sorcerer
gyengyat	v.	むさぼり食う	devour, lustfully eat
gyuss	n.	抱擁	embrace, hug	Central
gyusya	v.	支配する	rule, control	Central
Harmonius	n.	ヒュムノス・ハーモニウス	Harmonious (a hymn)	Central
Haibanation	n.	ヒュムノス・ハイバーネション	Hibernation (a hymn)
h.k.t.t	E.v.	抱擁する、抱きしめる	embrace, hug	Pastalia
h.l.s.s.	E.v.	嘆く	grieve, sigh	Pastalia
h.m.m.r.	E.v.	謳う	sing	Pastalia
h.p.p	E.v.	想う	think, feel	Pastalia
h.p.ps.	E.v.	思いを馳せる	have (someone) on one's mind	Pastalia
h.r.n.t.	E.v.	旅をする	go on a journey	Pastalia
h.w.s.s.	E.v.	成長する	grow, mature	Pastalia
haf	v.	持っている、所有する、手に取る	have, own, hold	Central
handeres	n./v.	敗北(する)、負け	defeat, loss	Central
hao	adj.	上、上位、高位、上級	above, superior	Central
harmon	v.	（多数で）合わせて～する	do ~ together (in great numbers)	Central
harphe	n.	朝	morning	Pastalia
harr	pro.	彼女（主語定義）	she	Central
harra	pro.	彼女ら（主語定義）	she (plural)	Central
hars	n.	彼女ら	her (plural)	Central
hartes	v.	愛する	love	Cult Ciel
harton	n.	愛	love	Central
has	n.	彼女	her	Central
hasyu	n.	魚	fish	Central
heath	adj.	灼熱の　高温の	scalding hot	Central
heetha	adj./n.	健やか、健康	health, healthy	Central
heighte	v.	傷つける	injure, wound	Ancient Metafalss
hellei	E.s. II		(unknown meaning)
her	pro.	これ、この	this	Central
here	adv.	ここ	here	Central
herr	pro.	彼（主語定義）	he	Central
herra	pro.	彼ら（主語定義）	he (plural)	Central
hers	n.	彼ら	him (plural)	Central
hes	n.	彼	him	Central
hieg	adj./v.	悲しむ、悲しみの	sad, to be sad	Central
hierle	adj./v.	悲しむ、悲しみの	sad, to be sad	Ancient Metafalss
hiew	n.	哀しみ、悲哀	sadness	Pastalia
hiewi	adj.	つらい、悲しい	heart-breaking, sad	Pastalia
hiralg	n.	渇き	thirst
hopb	n.	心（事象として表現する場合）	heart, mind (when presenting it as a phenomenon)	Cult Ciel
houd	v.	抱く	embrace, hug	Central
how	conj.	~のように	how, like ~
hueaf	adj./n.	無駄な、くだらない、徒労	futile, useless, worthless, waste of effort	Central
hyear	int.	さあ、やあ、ねえ（呼びかけ語句）	hey, you (to get someone's attention)	Central
hyma	v.	（言葉を）聞く	listen (to words)	Central
hymma	n.	小鳥	small bird	Central
hymme	v.	謳う、奏でる、共鳴する	sing, play (a instrument), resonate	Central
hymmne	n.	波動、調べ、メロディ	sound waves, tune, melody	Central
hymmnos	n.	詩、ヒュムノス	song, Hymmnos	Central
hynne	n.	声	voice	Central
hyzik	n.	肉体、体	body	Alpha (Eolia)
Implanta	n.	ヒュムノスイムプランタ, 神の大樹	Implanter (a hymn); God's Tree in the myths of Meta Falss
i	E.s. II	焦り	impatience	Central
iasien	n.	朝露	morning dew	Cult Ciel
ides	n.	過去	past	Central
idesy	adj.	過去の	of the past	Central
ieeya	n.	希望	hope, wish	Central
iem	n.	今	now	Ancient Metafalss
Implanta	n.	実	fruit / seed
infel	n.	愛	love (however, "infel yor" means "thank you")	Ancient Metafalss
inferiare	adj.	親愛なる	beloved	Ancient Metafalss
ini	v.	初期化する、清純化する	initialize, purify	Cult Ciel
innna	n.	（精神世界的な）中、心の中	inside (of the Soulspace), within one's heart	Cult Ciel
irs	v.	いる、存在する	exist	Central
j.d.r.	E.v.	囚われる	aprehend, capture	Pastalia
j.l.j.	E.v.	とらわれる、固執する、はまる	capture, adhere, take in	Pastalia
j.l.r.	E.v.	我に返る、正気に戻る	calm down, return to one's self	Pastalia
j.w.	E.v.	託す	entrust	Pastalia
j.z.t.	E.v.	発動する、実行する	execute, invoke	Pastalia
jam	adv.	一緒に	together	Central
jambea	n.	足	foot, leg	Central
jass	v.	求める	seek, request, wish for	Central
jastil	v.	いくぞ！	Come!, Let's go!
jefea	adj.	悼ましい	lamenting, grieving
jenge	n.	敵	enemy, rival, opponent
jenhah	n.	不幸、災い	disaster, misfortune	Cult Ciel
jouee	n.	神の力	God's power	Central
jue	n.	水	water	Pastalia
jyel	E.s. II	寂しい	loneliness	Central
k.f.k.k.	E.v.	嘲笑う	sneer, ridiculize, scorn	Pastalia
k.r.	E.v.	戯れる、じゃれ合う	play, frolic	Pastalia
k.v.r.	E.v.	覆う	cover, wrap	Pastalia
k.v.n.r.	E.v.	挑む・挑戦する	challenge, defy	Pastalia
kajya	adj.	必要	necessary, needed	Pastalia
kapa	n.	水	water	Cult Ciel
keen	v.	輝く	shine	Central
keenis	n.	輝き	radiance	Central
keg	n.	枝	branch	Pastalia
khal	v.	護る	protect, defend	Central
ki	E.s. II	真剣、集中	concentration, focus, seriousness	Central
kiafa	v.	聴く	hear, listen	Ancient Metafalss
kieghl			(unknown meaning)
kierre	n.	刻、瞬間	instant, moment	Ancient Metafalss
kil	v.	殺す	kill	Central
knawa	v.	知る	know	Central
kneet	adj.	遅い、遅れて、手遅れ	late, be late, be too late	Central
koora	n.	小川	stream	Central
kouf	n.	ため息	sigh	Pastalia
ks	v.	暗示を掛ける	give a hint	Cult Ciel
kuhle	n.	毒・毒薬	poison	Central
kvvia	n.	後悔	regrets, repentance
kvyeire	n.	終わり, 終焉	end, ending
kyll	v.	切る、切られる	cut, detach
Linca	n.	ヒュムノス・リンカ	Linker (a hymn)	Central
l.k.k.	E.v.	見上げる	look up at, admire	Pastalia
l.l.n.	E.v.	祝福する	bless	Pastalia
l.n.c.a.	E.v.	繋がる	tie together, connect	Pastalia
la	pre.	それこそ　（強調する為の冠詞　母音の前）	*that* (used to emphasize, in front of a vowel sound)	Central
lamenza	n.	嘆き	lament, grief	Ancient Metafalss
lapo	v.	出逢う	meet (by chance), rendezvous	Cult Ciel
lasye	n.	少年	boy, young man	Central
layy	adj.	嘘、虚構	lie, false, imaginary
leaff	n.	本、書物、絵本	book, books, picture book	Ancient Metafalss
leat	v.	奏でる	play (instrument)	Central
lequera	n.	善きもの	Gooddoer, good person	Cult Ciel
li	pre.	それこそ　（強調する為の冠詞　子音の前）	*that* (used to emphasize, in front of a consonant sound)	Central
linen	v.	語る	talk, recite	Cult Ciel
lir	n.	光	light	Alpha (Eolia)
lirle	n.	夏	summer	Cult Ciel
llizz	adv.	～かもしれない、ひょっとすると、もしかしたら	possibly, maybe, perhaps	Central
lof	n.	場所	place	Cult Ciel
lonfa	n.	魂	soul
loss	adj.	失なわれた、死なった	dead, lost
lurrea	v.	慄く	fear	Ancient Metafalss
lusye	n.	光	light	Ancient Metafalss
lyafre	n.	蝶	butterfly	Cult Ciel
lyuma	n.	星	star, planet (if it has a "LYA" before it, the meaning changes to "Maiden of Mio")	Pastalia
Ma	E.s. I	平常心	presence of mind	Central
Metafalica	n.	ヒュムノス・メタファリカ	Metafalica (a hymn), Song of Hope (to Mir), Song of Creation, Utopia	Ancient Metafalss
m.a.m.	E.v.	存在する	exist	Pastalia
m.f.l.	E.v.	覆いつく	cover, shroud	Pastalia
m.n.g.	E.v.	飲み込む	drink, understand, learn	Pastalia
m.r.r.	E.v.	映す	reflect, project	Pastalia
m.t.y.y.	E.v.	作り出す、生み出す	create, give birth to	Pastalia
maen	n.	満月	full moon	Pastalia
mahin	n.	手	hand	Central
manac	n.	真名、魂の名前、御魂名	true name, name of soul	Cult Ciel
manaf	n.	命、生命	life, existence	Ancient Metafalss
manafaln	n.	転生	reincarnation	Cult Ciel
manafeeze	v.	生きる	live	Ancient Metafalss
Maoh	n.	マオ	Rhaplanca's partner in the myths of Meta Falss.	Ancient Metafalss
marta	n.	母	mother	Ancient Metafalss
maun	n.	瞼	eyelid	Cult Ciel
maxim	adj.	最も	most, extremely	Central
maya	n.	魔法、超自然	magic, supernatural	Cult Ciel
mea	n.	私	me (object)	Central
mean	n.	わたしたち	us (object)	Central
melenas	v.	愛してる、大好きです	love, very fond of	Cult Ciel
melifan	n.	歴史	history	Ancient Metafalss
melvaz	n.	花嫁	bride
memora	n.	記憶	memory	Central
meo	n.	理想	ideal, dream	Central
merra	n.	わたしたち（主語定義）	us (subject)	Central
merfa	adj./n.	無垢な, 無垢な願い	pure, pure wishes	Pastalia
meryu	n.	記憶	memory	Pastalia
meso	v.	散らかす	scatter, leave untidy	Central
messe	v.	伝える	report, transmit, convey	Central
mirie	n.	温かさ	warmth	Pastalia
morto	n./v.	死　死ぬ	death, die	Central
murfan	v.	想う	feel, think	Ancient Metafalss
murfanare	n.	想い	feeling, thought	Ancient Metafalss
mutrk	n.	温かさ	warmth	Pastalia
Nn	E.s. I	無気力状態	lethargy	Central
n.d.n.	E.v.	伏せる	lay, put down, hide	Pastalia
n.m.l.	E.v.	染まる	dye, color	Pastalia
n.t.n.	E.v.	続く	continue, go on	Pastalia
na	adv.	否定、～ではない	no, not, negation	Central
naave	conj.	だから～	because ~	Pastalia
nafa	adj.	優しい	easy, gentle	Pastalia
nafan	adj.	優しく	kind, tender	Pastalia
naflansee	n.	幸せ	happiness, good fortune	Pastalia
naja	v.	後退する、さがる、逃げ去る、立ち去る	escape, retreat, disappear, leave	Cult Ciel
near	n.	命、生命	life	Central
nedle	v.	必要とする	need	Alpha (Eolia)
neee	v.	呼ぶ	call out	Central
neia	v.	近づく、近寄る	approach, draw near	Central
nene	adj.	分からない	not understand	Cult Ciel
nepo	v.	潤う	moisten	Central
netvear	v.	諦める、挫ける、挫折する	give up, abandon, be discouraged	Central
nezz	n.	鼻	nose	Central
nha	v.	入れる、召喚する	let in, summon	Cult Ciel
nhaf	adj.	茫然と	surprised, dazed
nille	v.	似ている、類似、似る	resemble, resemblance, be alike	Central
nnoini	adv.	初めて、初めての	first	Central
noce	n.	自然	natural, spontaneous	Cult Ciel
noes	n.	自分自身	oneself	Central
noglle	adj./n.	黒、黒い	black	Central
nor	pre.	か	or, either
nooge	v.	寝る	sleep	Cult Ciel
nosaash	n.	女神	goddess	Cult Ciel
nozess	v.	無にする、なくす	lose, get rid of, waste	Central
nuih	n.	夜	night	Central
num	E.s. II	無	nothing	Central
nx	n.	次	next	Central
nyanyas	adj.	かわいい	cute, lovely, darling
nyasri	adj.	悲しい、しょんぼり	sad, downhearted	Cult Ciel
nyasri	E.s. II	悲しい	sad	Ancient Metafalss
olo	n.	夜	night	Pastalia
omness	n.	生命	life, existence
omnis	adj.	全てを	everything (direct object)	Ancient Metafalss
oriye	n.	耳	ear	Central
orviclle	n.	問題、障害	problem, question, obstacle	Central
oucc	adv.	一緒に	together	Pastalia
oure	pre.	何よりも	more than anything	Central
ousye	v.	襲い掛かる、降りかかる	launch an attack, fall onto	Alpha (Eolia)
ouvyu	n.	廃墟	ruins	Pastalia
ouwua	adj.	たくさんの	a lot, many, much	Pastalia
oz	pre.	～の（所有の助詞）	of (possessive article)	Central
Paja	n.	ヒュムノス・パージャ	Purger (a hymn)	Central
Phantasmagoria	n.	ヒュムノス・ファンタスマゴリア	Phantasmagoria (a hymn)	Alpha (Eolia)
p.s.w.t.	E.v.	掴む・獲得する	seize, adquire	Pastalia
pagle	v.	話す　喋る	talk, speak with	Central
pak	v.	（未来が）開く	open (the future)	Central
paks	E.s. II	ドキドキ	excitement, nervouseness	Central
pakz	v.	分ける	divide, separate	Cult Ciel
papana	n.	雨	rain	Cult Ciel
papas	n.	信じること	belief
parce	n.	証拠、証	evidence, proof	Central
parge	v.	切り離す (魔法的な場合)	to cut loose (in the case of magic)	Cult Ciel
parith	adj./n.	正直、素直	honest, sincere	Cult Ciel
pat	v.	解放する	release, set free	Cult Ciel
paul	v.	感じる	feel, sense	Cult Ciel
pauwee	n.	力の子	child of power	Ancient Metafalss
pauwel	n.	力	power	Ancient Metafalss
pecee	v.	(卵が)孵る、孵化する	hatch (egg), incubate	Central
phira	n.	種	seed, kind	Ancient Metafalss
phyue	n.	おめでとう	congratulations	Central
pic	v.	気づく、はっとする	realize, take aback	Central
pikca	n.	果物、実	fruit, nut	Pastalia
pilt	v.	気づく	realize	Cult Ciel
pipel	adj./n.	筒　筒状の	pipe, cylindrical	Central
pipit	adj.	僅かな	only, merely, a little	Pastalia
pirtue	n.	精霊	spirit, ghost	Ancient Metafalss
pitod	adv.	側に、共に、一緒に	beside, together	Cult Ciel
plina	n.	緑（植物）	greenery (plants)	Central
poe	n.	種	seed, kind	Pastalia
polon	n.	孤独	loneliness, solitude	Cult Ciel
pomb	v.	生む、産み出す	give birth, create	Central
pono	n.	卵	egg	Central
pop	n.	泡	bubble	Pastalia
porter	v.	着る　身に着ける　身に纏う	wear (clothes)	Central
prasrity	n./v.	繁栄、栄える	prosperity, prosper	Central
presia	adv.	～します様に、～どうか…して下さい	may it be so, would you please do ~, please ~	Ancient Metafalss
prooth	n.	血	blood
pruna	adj.	可笑しい	funny
ptrapica	n.	宝	treasure	Cult Ciel
ptrapile	n.	秋	autumn	Cult Ciel
pupe	n.	涙	tear, teardrop	Pastalia
q.g.s.	E.v.	終る	end, finish	Pastalia
q.l.s.	E.v.	激しく揺らす	shake tremendously	Pastalia
qejyu	n.	人々、人間	people, humanity	Pastalia
qoga	n.	終わり、終焉	end, ending
qraffa	n.	葉	leaf	Pastalia
quel	E.s. II	切に想う　必死	earnestness, desperation	Central
quen	v.	生み出される	give birth, create	Central
quesa	n.	大地を揺らすもの、(転じて)雷鳴、稲妻	thing that shakes the earth, thunder, lightning	Central
quivale	n.	冬	winter	Cult Ciel
quive	n/v.	沈黙　黙る　静寂	silence, quietness	Cult Ciel
quowjaz	n.	正義	justice, righteousness	Cult Ciel
Re=Nation	n.	ヒュムノス・リネイション	Re-Nation (a hymn)	Central
Replekia	n.	ヒュムノス・レプレキア	Replakia (a hymn)
Rig=Veda	n.	ヒュムノス・リグヴェーダ	Rigveda (a hymn)	Ancient Metafalss
Rrha	E.s. I	トランス状態	trance state	Central
r.f.m	E.v.	見る	see, watch	Pastalia
r.f.r.m	E.v.	認識する、知る	know, recognize	Pastalia
r.l.t.y.	E.v.	甦る	revive, resurrect, rebirth	Pastalia
r.w.	E.v.	助ける、救う	help, rescue	Pastalia
ra	E.s. III	このままでいたい	I want this to last	Central
race	n.	首飾り（巻きつける）	(wreathe a) necklace	Central
raklya	v.	涙する	cry, weep	Cult Ciel
rana	v.	駆ける	run, dash	Central
rannef	n.	謝礼	reward	Central
rasse	v.	エールを送る	to yell	Central
raudl	n.	姿、形、フォーム	form, shape	Pastalia
rawah	n.	花	flower	Pastalia
re	pre	～される（受身の助詞）	(passive verb prefix)	Central
reen	v.	聴く	hear, listen	Central
repoear	n.	感謝	thanks, gratitude	Central
reta	pre.	どうか～	Please...	Pastalia
rete	n./v.	忘れる、失念する、忘却	forget, forgetfulness, oblivion	Cult Ciel
revatail	n.	レーヴァテイル	Reyvateil (an artificial life form)	Ancient Metafalss
reveris	n.	夢魔　悪夢　迷夢	dream demon, nightmare, delusion	Central
revm	n.	夢	dream	Central
Rhaplanca	n.	ラプランカ	a goddess from Meta Falss' mythology, and Maoh's partner	Ancient Metafalss
ridalnae	adj.	かけがえのない	irreplaceable	Ancient Metafalss
rifaien	v.	甦る	resurrect, revive	Ancient Metafalss
rinc	v.	同期する	synchronize, feel the same
riomo	v.	(物、状態、状況を)与える　齎す	to give a, to present a (thing, condition, state)	Cluster
rippllys	n./v.	返事をする、応答する、返事、応え	reply, answer	Central
rivire	n.	川	river	Central
riya	n.	誠実	sincerity
rol	conj.	～のように	as if, like	Central
rosa	n.	薔薇、バラの花	rose, rose petal	Central
rre	pre	（主語定義）	(subject marker)	Central
rudje	adj./n.	赤　赤い　紅	red, scarlet, crimson	Central
ruinie	v.	破壊する	destroy	Central
ruinien	n.	破壊	destruction
rum	n.	炎	flame
ryewa	adj.	生い茂った	overgrown	Pastalia
ryusse	n.	旅行、旅	journey, trip	Cult Ciel
Sol=Fage	n.	ヒュムノス・ソルフェージ	Solfege (a hymn)
Sphilia	n.	ヒュムノス・スフィリャ	Sphilia (a hymn)
Sublimation	n.	ヒュムノス・サブリメーション	Sublimation (a hymn), sublimation (as in disappear)
Suspend	n.	ヒュムノス・サスペンド	Suspend (a hymn)	Central
s.l.	E.v.	信じる	believe, trust	Pastalia
s.l.y.	E.v.	与える	give, award, convey	Pastalia
s.n.k.k.	E.v.	芽吹く	bud (plant)	Pastalia
s.s.w.	E.v.	言う、告げる、語る	say, speak, inform	Pastalia
sa	n.	業　カルマ	karma	Central
saash	n.	神	God, gods	Central
sabl	n.	砂	sand	Central
sacra	n.	血	blood
sallogna	v.	寝転ぶ　横たわる　横になる　横にする	lie down, stretch, rest	Central
sanctum	n.	箱舟	ark	Central
sar	n.	空	sky	Alpha (Eolia)
sara	n.	草	grass	Central
sarla	n.	詩	song	Ancient Metafalss
sarr	n.	陽光、輝き	sunlight, radiance	Pastalia
sarrifis	v.	（生贄を）捧げる	offer (a sacrifice)	Central
sarsa	n.	雨	rain	Pastalia
sash	v.	散らす	scatter
sasye	n.	少女	girl, young woman	Central
savath	v.	ほとばしる	surge, gush out
sechel	n.	都市	city	Pastalia
sefanl	n.	森	forest	Pastalia
selena	v.	奏でる	play (a instrument)	Ancient Metafalss
sephaje	n.	創世	creation of the world
sev	conj.	～の時に	at the time of ~, when ~	Pastalia
shazra	n.	荊の蔓、茨、棘	thorny vine, thorn, thorny shrub	Central
sheak	n.	太陽	sun	Cult Ciel
sheaken	n.	左	left
shefra	n.	創世	creation of the world
shell	n.	殻（の中）	(inside a) shell
shellan	n.	鳥かご、籠、檻、ケージ	birdcage, cage, basket, pen	Ancient Metafalss
shen	n.	光	light	Central
sial	adj.	少しの、ちょっとの	a bit, a little	Central
siance	n.	聖域、尊い場所、理想郷	holy land, sanctuary, utopia	Pastalia
siann	n.	光	light (if it has a "LYA" before it, its meaning changes to "Maiden of Homura")	Pastalia
sielp	n.	せせらぎ	brook, murmur	Central
sik	v.	離れる	leave, move away from	Cult Ciel
siss	v.	消す	erase, put out, eliminate
skit	v.	約束する	promise
slep	v.	眠る	sleep	Central
slepir	v.	眠らせる、(活動を)停止させる	put to sleep, stop (an activity)	Ancient Metafalss
so	conj.	そんなに、それほど	in such a way, so much
soare	n.	詩, 祈り	song, prayer
sol	v.	（日の光が）輝く、燦々と照りつける	(daylight) shines, shine down brilliantly	Ancient Metafalss
sonwe	v.	歌う	sing	Ancient Metafalss
sor	pro.	それ	that	Central
sorr it	conj.	それ	it's that way
sorra it	conj.	それ?牢獄?	in those ways,
sos	conj.	～ために	for, because of, for the sake of	Central
sosar	n.	魔術、魔力	magic, magical power	Central
sphaela	n.	世界	world	Pastalia
sphilar	n.	精神、心	mind, spirit	Ancient Metafalss
spiritum	adj./n.	魂　魂の	soul, of the soul	Central
spitze	n.	自由	freedom	Central
ssvid	v.	生き凌ぐ	outlive
stel	v.	取る、奪う、盗む	take, steal, snatch away	Central
stelled	v.	取り合う、奪い合う	compete, struggle for	Central
suwant	v.	救う、助ける	save, rescue, help	Central
swant	v.	助ける、救う	help, save, rescue	Central
syalea	n.	決意	decision, resolve
syast	v.	集う、集結する	congregate, gather	Central
syec	n.	深淵、深いところ	abyss, depths	Cult Ciel
synk	v.	重なる	overlap, pile up	Central
t.h.s.	E.v.	外に出る	go outside	Pastalia
t.k.d.	v.	届く	reach	Pastalia
t.n.	v.	止める、やめる	stop, end	Pastalia
t.n.m.n.	v.	(種を)まく、植える	scatter (seeds), (to) plant	Pastalia
t.r.m.	v.	展開する、咲かせる、実現する	develop, make bloom, realize	Pastalia
tafane	adj.	輝く	glittering, sparkling	Pastalia
talam	adj.	東雲色	dawn's color	Pastalia
tanta	v.	舞う	dance	Central
tapa	n.	水	water	Pastalia
tarfe	v.	止まる、留まる	stop, halt	Central
targue	conj.	たとえ～だとしても	even if ~ is the case	Pastalia
tasyue	v.	捧げる	offer, sacrifice	Ancient Metafalss
tek	v.	行く	Go	Central
tes	conj.	～に、～へ	at ~, to ~	Central
teyys	v.	留まる、残る、居る、居座る	halt, remain, exist, stay	Central
ther	conj.	あれ、あの	that	Cental
tictim	v.	操る、操作する、意のままにする	control, operate, do as one pleases	Cental
tie	v.	捕まえる・拘束する	catch, restrain	Cult Ciel
tie	conj.	～に対して（対象を特定・指定する）	in regards to... (specifying a subject)	Pastalia
tim	n.	時	time
titia	n.	善意、善性	good will, innate goodness of man	Pastalia
titil	n.	小物	small things, accesories	Cult Ciel
titilia	adj.	小さい	small, little, tiny	Cult Ciel
tonelico	n.	神木	divine tree, (possible alternate meaning: tower)
tou	conj.	～に	at ~, in ~, to ~	Central
touwaka	E.s. II	心に希望を秘める　望む（第Ⅱ想音）	wishful, hiding wishes in my heart	Central
ttu	conj.	～するために	in order to do ~	Pastalia
ture	n.	絆	bonds
tussu	n.	変化	change	Pastalia
tyui	adj.	小さな	Small, little, tiny	Pastalia
tyuss	adj.	優しい	tender, kind	Pastalia
ugi	v.	決める	decide	Cult Ciel
uje	adj.	残酷	cruel, evil
ujes	n.	悪意	ill will	Pastalia
unloee	v.	平伏す	prostrate before	Central
urgn	n.	嘆き	grief, lamentation	Pastalia
urr	v.	(見えなかったものが)顕れる、体現(する)、具現化(する)	(something unseen) appears, manifests, incarnates	Central
ut	conj.	～に、～へ	at ~, to ~	Pastalia
uteu	v.	まどろむ	doze off	Cult Ciel
VIENA	n.	ヒュムノスヴィーナ	Viena (a hymn)
v.a	v.	生む、紡ぐ	produce, craft	Pastalia
v.s.k	v.	体感する、実感する。経験する	sense physically, feel, experience	Pastalia
v.t	v.	生きる	live	Pastalia
valwa	v.	浄化する	purify	Central
vamue			(unknown meaning)
van	conj.	～であっても、しようとも	even if ~, even should ~ happen	Ancient Metafalss
varda	n.	大樹	big tree	Ancient Metafalss
vega	n.	ここ、この	here, this	Pastalia
vege	n.	そこ、その	there, that	Pastalia
vianchiel	n./adj.	無垢の、穢れなき、清らかな、美しい	pure, undefiled, clean, beautiful	Ancient Metafalss
viega	n.	刃、剣	blade, sword	Ancient Metafalss
vinan	n./adj.	白,　白い	white	Central
vine	n.	酒・果実酒・葡萄酒	alcohol, liquor, wine	Central
viss	v.	読む、読み取る	read, read between the lines	Central
vit	v.	見る	see, watch	Cult Ciel
viuy	adj.	暗く翳した	darkened
vl	conj.	～から, ～に	since, from, in
vonn	n./adj.	闇	dark, darkness	Central
Was	E.S.I	とても強烈に（第Ⅰ想音）	very intensely	Central
Wee	E.S.I	かなり（第Ⅰ想音）	fairly	Central
w.f.	v.	～したい	want to do ~	Pastalia
w.h.h.	v.	感じる	feel, sense	Pastalia
w.n.s.	v.	訪れる, 響く	visit, echo	Pastalia
w.r.l	v.	目指す	aim at, have an eye on	Pastalia
w.r.m.	v.	照らす	shine on, illuminate	Pastalia
w.s.	v.	与える	give	Pastalia
w.s.s	v.	讃える	praise	Pastalia
w.w.j.n.c.	v.	共鳴する	resound, sympathize	Pastalia
wa	E.S.III	どちらでもない　今、有るがままの状況を受け入れる（第Ⅲ想音）	it doesn't matter - I will accept things the way they are now	Central
waa	E.S.II	嬉しい(第Ⅱ想音)	happy	Ancient Metafalss
waath	v.	再生する	revive, rebirth	Central
waats	adj.	大切な	important	Central
wael	n./v.	喜び	joy, delight	Central
walaen	n.	人生	(human) life	Cult Ciel
walaka	v.	歩く	walk	Central
walasye	n.	人間	human, people	Cult Ciel
walphish	n.	人魚	mermaid, merman	Cult Ciel
warce	v./n.	祝福(する)、祝い	bless(ing), celebration	Central
ware	conj.	～の時に、～の中で	during ~, in the middle of ~	Central
warma	adj.	温かい	warm	Central
wart	n.	言葉	word	Central
wasara	adj./n.	豊か	abundant, abundance	Central
wase	adj./n.	強烈な	strong, intense	Cult Ciel
wassa	n.	祭典	festival, feast	Cult Ciel
wassee	v.	讃える	praise
watt	v.	びっくりする	surprise, scare	Cult Ciel
waze	conj.	多	too much
we	conj.	～よりも	even more than ~	Central
weak	n.	月	moon	Central
weaken	n.	右	right
weal	adj./E. s. II	喜び	happy, glad
wearequewie	v.	望む、願う、希望する	wish, desire, pray, request for, hope for	Ancient Metafalss
weel	v.	叶って！	Come true!, Be realized!	Central
ween	conj.	～の中に、中で（状態を表す助詞）	inside of ~, in ~ (particle to indicate current condition)	Central
wefa	adj.	暖かな	warm, mild	Pastalia
werllra	n.	涙、雫	tear, drop	Ancient Metafalss
werlwe	v.	泣く、涙する	cry, shed tears	Ancient Metafalss
whai	conj.	なぜ～　なのだろう	why	Central
whalt	conj.	何	what
wharn	n.	腕	arm	Central
whou	conj.	～する者	who, person who ~	Central
wi	conj.	その、そこの	that, the one there	Central
wiaa			(unknown meaning)
wiene	n.	音色	melody, tone, timbre
willie	adj.	弱い、儚い	weak, transient	Central
wim	n.	娘	girl, daughter	Central
windiling	n.	風の精	spirit of the wind
wis	v.	～である	be, is	Ancient Metafalss
wol	E.S.II	猛進、熱血（第Ⅱ想音）	fervor, rush	Central
won	conj.	～の上（表面）に（状態を表す助詞）	above (on the surface) of ~ (particle to indicate current condition)	Central
x.	E.v.	(主語動詞)	(subject marker)	Pastalia
x.y.n.	E.v.	傷つく	hurt, injure	Pastalia
xava	n.	傷	wound
xe	conj./v.	給え	please (used before a verb), bestow, grant, receive	Cluster
xel	conj.	～から（時間）	since ~ (time)
xest	v.	変換する	change, transform	Cult Ciel
xevxl	n.	絶望	despair
xl	conj.	～の時から	ever since ~	Central
xorg	adj.	傲慢な	proud
y.m.q.	v.	実る	bear fruit, ripen	Pastalia
y.y.	v.	癒す	heal, cure	Pastalia
y.z.t.	v.	願う	wish, desire, request	Pastalia
yaha	v.	笑う	laugh, smile	Central
yanje	adv.	ずっと、永遠に	forever, eternally	Central
yant	E.s.II	恐慌状態（第Ⅱ想音）	frightened, scared	Ancient Metafalss
yanwe	v.	大事にする	treat with care	Central
yanyaue	adj.	大切な	important, valuable	Ancient Metafalss
yart	v.	出逢う	meet (by chance), come across	Central
yaserwe	v.	リラックスする、安らぐ	relax, feel at ease	Central
yasra	adj.	優しい、穏やか	gentle, kind, calm, quiet	Ancient Metafalss
yassa	v.	クリアする、達成する	clear, achieve	Central
yatse	v.	（肯定的な感情を）与える	give (positive emotions)	Central
yea	E.s.II	嬉しい（第Ⅱ想音）	happy	Central
yeal	n.	線、紐	line, beam, wire, string	Cult Ciel
yeeel	adj.	遠い	far, distant	Cult Ciel
yehah	n.	幸せ	happiness, good fortune	Central
yehar	v.	解放する、解き放つ	deallocate, unleash, release	Ancient Metafalss
yerwe	v.	鳴く	chirp, bark, purr	Ancient Metafalss
yetere	adv.	そうすれば～	if so, in that case	Central
yor	n.	あなた	you (object)	Central
yora	n.	あなたたち	you (plural object)	Central
yorr	n.	あなた（主語定義）	you (subject)	Central
yorra	n.	あなたたち（主語定義）	you (plural subject)	Central
yos	adv.	貴方が、貴方の	your, yours	Central
yosyua	v.	～を慰める	comfort, console, amuse	Central
yuez	adv.	互いに	mutually, reciprocally	Central
yura	n.	力のバランス	balance of power
z.z.x.	v.	絶望する	(to) despair	Pastalia
zadius	n.	憎悪	hatred	Ancient Metafalss
zaffur	v.	対抗、あがき	struggle, oppose
zahha	v.	進む、進行	advance, improve	Cult Ciel
zalez	n.	滝	waterfall	Pastalia
zarle	v.	(雨が)降る、降り注ぐ	fall (rain), downpour	Central
zarnn	n.	嵐	storm, tempest
zash	adj./n.	痛い、苦痛	painful, pain, agony	Central
zassyen	v.	泳ぐ	swim	Central
zauve	n./adj.	怜悧な	clever, sagacious	Cult Ciel
zeeth	n.	鎖	chain, chains	Central
zenva	v.	飛び越える、超越する	jump over, clear, transcend	Central
zess	adv.	～ように	like ~	Pastalia
zethpa	v.	斬りつける	cut, slash	Central
zetsfy	n.	残酷	cruelty, harshness
zodal	n./v.	死せる、死の	death, die, of death	Ancient Metafalss
zodaw	n.	死	death	Ancient Metafalss
zuieg	n./adj.	権力、権限	(political) power, authority, influence	Alpha: EOLIA
zweie	E.s.II	決意を心に秘める　真摯（第Ⅱ想音）	hiding determination in the heart, sincerity, earnestness	Central
zwihander	n./v.	勝利(する)、勝ち	success, win, triumph, victory	Central
zz	adv.	否定	negation, denial, un-	Pastalia

[edit] Reference

• Hymmnoserver (Japanese language)
• hymmno-dict (Japanese language)
• A Reyvateil's Melody forum (English Language)
• Toukousphere #13 (Information about Binasphere) (Japanese Language)
• Toukousphere #14 (Information about Risshizentsukuyomi) (Japanese Language)

[edit] Credits

Wiki page made and mantained by Shirasagi. Information contributed by aquagon and Lazy.

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